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<blockquote data-quote="Brad Harris" data-source="post: 57729" data-attributes="member: 380">+1 on polar patterns. Most of the artists I work with, you work around them, not the other way around (re: mic angle).As for dual wedges I find a lot of people place them wider and angle them too far in, and then wonder if they are in polarity or just &#039;wierd&#039;. I haven&#039;t noticed the each ear gets it&#039;s own wedge and the brain cancells the combfiltering I find its worse actually. Keep them flat (ie in the same pane not angled in) and just cut what you need for the wedge to accomplish. Most times (on riders) its either coverage, or spl for reasons for having dual wedges. Keeping then flat and close (3-12&quot; apart) I find (for most wedges I&#039;ve come across) them to do everything I need them too.I will deviate for certain circumstances due to the nature of the artist and what needs to be accomplished. (ie one artist, depending if it&#039;s a full band or acoustic (either solo or partial band) goes from parallel wedges for coverage (plus side fill) to moderately angled wedges tilted up)</blockquote>

[QUOTE="Brad Harris, post: 57729, member: 380"] +1 on polar patterns. Most of the artists I work with, you work around them, not the other way around (re: mic angle). As for dual wedges I find a lot of people place them wider and angle them too far in, and then wonder if they are in polarity or just 'wierd'. I haven't noticed the each ear gets it's own wedge and the brain cancells the combfiltering I find its worse actually. Keep them flat (ie in the same pane not angled in) and just cut what you need for the wedge to accomplish. Most times (on riders) its either coverage, or spl for reasons for having dual wedges. Keeping then flat and close (3-12" apart) I find (for most wedges I've come across) them to do everything I need them too. I will deviate for certain circumstances due to the nature of the artist and what needs to be accomplished. (ie one artist, depending if it's a full band or acoustic (either solo or partial band) goes from parallel wedges for coverage (plus side fill) to moderately angled wedges tilted up) [/QUOTE]

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