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How to handle monitors combing when in pairs.
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<blockquote data-quote="kristianjohnsen" data-source="post: 57746" data-attributes="member: 441"><p>Re: How to handle monitors combing when in pairs.</p><p></p><p></p><p></p><p>Polar patterns are "greek" to surprisingly many techs.</p><p></p><p>I'm leaning more and more towards the concept of putting the monitors with the horns IN and putting them directly side-to-side. This should take care of some combing, give better LF buildup, save space on stage, and have a placement that works OK if one wedge should die during the show.</p><p></p><p>Provided, of course, the mic is either cardioid with the null toward the wedge pair, or supercardioid but horizontally mounted.</p></blockquote><p></p>
[QUOTE="kristianjohnsen, post: 57746, member: 441"] Re: How to handle monitors combing when in pairs. Polar patterns are "greek" to surprisingly many techs. I'm leaning more and more towards the concept of putting the monitors with the horns IN and putting them directly side-to-side. This should take care of some combing, give better LF buildup, save space on stage, and have a placement that works OK if one wedge should die during the show. Provided, of course, the mic is either cardioid with the null toward the wedge pair, or supercardioid but horizontally mounted. [/QUOTE]
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