Log in
Register
Home
Forums
New posts
Search forums
What's new
Featured content
New posts
New profile posts
Latest activity
News
Members
Current visitors
New profile posts
Search profile posts
Features
Log in
Register
What's new
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Pro Audio
Junior Varsity
In ear (headphone) monitoring approach
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="Luigi Chelli" data-source="post: 91424" data-attributes="member: 1629"><p>Re: In ear (headphone) monitoring approach</p><p></p><p><span style="font-family: 'Helvetica'">Ciao Cesare,</span></p><p><span style="font-family: 'Helvetica'">i had some experience with indoor clubs and small venues…</span></p><p><span style="font-family: 'Helvetica'"></span></p><p><span style="font-family: 'Helvetica'">here are some hints:</span></p><p></p><p><span style="font-family: 'Helvetica'">double the vocal channel so you can send uncompressed sound to the wedge</span></p><p><span style="font-family: 'Helvetica'"></span></p><p><span style="font-family: 'Helvetica'">put hpfs on the monitors, clearing all the mud will result in a better intelligibility</span></p><p><span style="font-family: 'Helvetica'"></span></p><p><span style="font-family: 'Helvetica'">avoid the reverb on vox….much better to use delay fx</span></p><p></p><p><span style="font-family: 'Helvetica'">don't fear to use cans instead of wedges, be professional and explain to the artist why are you duoing this and that the overall sound of the band will improve.</span></p><p><span style="font-family: 'Helvetica'">since you have an x32 (like me <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f600.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":D" title="Big grin :D" data-smilie="8"data-shortname=":D" /> ) you can let them play with their iphones or some p16's to do their mix…. they'll be happier and complain less.</span></p><p><span style="font-family: 'Helvetica'"></span></p><p><span style="font-family: 'Helvetica'"></span><span style="font-family: 'Helvetica'">usually the plexy is hated by the bands, but to me it was a life saver in many occasion.</span></p><p><span style="font-family: 'Helvetica'">if you want to avoid it consider this new cymbals: GEN 16 AE, and if they work do a report to us </span>:lol:</p><p><span style="font-family: 'Helvetica'"></span></p><p><span style="font-family: 'Helvetica'"></span><span style="font-family: 'Helvetica'">the guitar cabs are always a matter of placement…. rise em if the guitarist doesn't hear himself.</span></p><p><span style="font-family: 'Helvetica'">remember that many times they're open-box, the polar pattern could resemble a fig-of-eight so you can aim them to avoid bleed in the mics.</span></p><p><span style="font-family: 'Helvetica'"></span></p><p><span style="font-family: 'Helvetica'"></span><span style="font-family: 'Helvetica'">hope i helped a bit.</span></p><p><span style="font-family: 'Helvetica'"></span></p><p><span style="font-family: 'Helvetica'"></span><span style="font-family: 'Helvetica'">cheers,</span></p><p><span style="font-family: 'Helvetica'">Luigi.</span></p><p><span style="font-family: 'Helvetica'"></span></p><p><span style="font-family: 'Helvetica'"></span></p><p><span style="font-family: 'Helvetica'">ps: where are you from? </span>8)~<img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f60e.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt="8-)" title="Cool 8-)" data-smilie="6"data-shortname="8-)" />~<img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f60e.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":cool:" title="Cool :cool:" data-smilie="6"data-shortname=":cool:" /></p></blockquote><p></p>
[QUOTE="Luigi Chelli, post: 91424, member: 1629"] Re: In ear (headphone) monitoring approach [FONT=Helvetica]Ciao Cesare,[/FONT] [FONT=Helvetica]i had some experience with indoor clubs and small venues… [/FONT] [FONT=Helvetica]here are some hints:[/FONT] [FONT=Helvetica]double the vocal channel so you can send uncompressed sound to the wedge[/FONT] [FONT=Helvetica] put hpfs on the monitors, clearing all the mud will result in a better intelligibility[/FONT] [FONT=Helvetica] avoid the reverb on vox….much better to use delay fx[/FONT] [FONT=Helvetica]don't fear to use cans instead of wedges, be professional and explain to the artist why are you duoing this and that the overall sound of the band will improve.[/FONT] [FONT=Helvetica]since you have an x32 (like me :D ) you can let them play with their iphones or some p16's to do their mix…. they'll be happier and complain less.[/FONT] [FONT=Helvetica] [/FONT][FONT=Helvetica]usually the plexy is hated by the bands, but to me it was a life saver in many occasion.[/FONT] [FONT=Helvetica]if you want to avoid it consider this new cymbals: GEN 16 AE, and if they work do a report to us [/FONT]:lol: [FONT=Helvetica] [/FONT][FONT=Helvetica]the guitar cabs are always a matter of placement…. rise em if the guitarist doesn't hear himself.[/FONT] [FONT=Helvetica]remember that many times they're open-box, the polar pattern could resemble a fig-of-eight so you can aim them to avoid bleed in the mics.[/FONT] [FONT=Helvetica] [/FONT][FONT=Helvetica]hope i helped a bit.[/FONT] [FONT=Helvetica] [/FONT][FONT=Helvetica]cheers,[/FONT] [FONT=Helvetica]Luigi.[/FONT] [FONT=Helvetica] [/FONT] [FONT=Helvetica]ps: where are you from? [/FONT]8)~8-)~:cool: [/QUOTE]
Insert quotes…
Verification
Post reply
Home
Forums
Pro Audio
Junior Varsity
In ear (headphone) monitoring approach
Top
Bottom
Sign-up
or
log in
to join the discussion today!
