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Junior Varsity
klark teknik square one dynamics SQ1D ???
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<blockquote data-quote="Greg Cameron" data-source="post: 47791" data-attributes="member: 42"><p>Re: klark teknik square one dynamics SQ1D ???</p><p></p><p></p><p></p><p>But we're talking about live sound here. It's a far different ballgame than studio life. What works well in the studio is often not suitable for live sound reinforcement and vice versa. Many of us in live sound tend to purposely use fast attack/release compressors with high ratios on vocals because you do need to really clamp down when you reach a certain threshold but want things relatively uncompressed below that threshold. If studio style compression was truly warranted in live sound, you'd be seeing a lot more LA-2s and 1176s out there in processing racks. But you don't. Keep in mind that we're talking about driving large powerful speaker systems here, not multitrack recorders or a mix down to 2-track that's going to be played through home & car stereo. A different set of rules apply, at least in my opinion.</p></blockquote><p></p>
[QUOTE="Greg Cameron, post: 47791, member: 42"] Re: klark teknik square one dynamics SQ1D ??? But we're talking about live sound here. It's a far different ballgame than studio life. What works well in the studio is often not suitable for live sound reinforcement and vice versa. Many of us in live sound tend to purposely use fast attack/release compressors with high ratios on vocals because you do need to really clamp down when you reach a certain threshold but want things relatively uncompressed below that threshold. If studio style compression was truly warranted in live sound, you'd be seeing a lot more LA-2s and 1176s out there in processing racks. But you don't. Keep in mind that we're talking about driving large powerful speaker systems here, not multitrack recorders or a mix down to 2-track that's going to be played through home & car stereo. A different set of rules apply, at least in my opinion. [/QUOTE]
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klark teknik square one dynamics SQ1D ???
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