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L'acoustics K2
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<blockquote data-quote="Nick Boulton" data-source="post: 133991" data-attributes="member: 252"><p>Re: L'acoustics K2</p><p></p><p>Yes I am, I was warned against mixing Symmetric and Asymmetric dispersion within the array due to the slightly jarring shift of having the acoustic centre of the box move as you transition, so I haven't tried it. But using 70 degree cabinets for most of the array and 110 degree cabinets for 'downfill' boxes sounds very even and consistent. The Fins (apparently they aren't louvres any more) only affect the HF dispersion (and are actually very good), the rest of the cabinet is a standard Dipole arrangement with no other pattern control. The fins themselves are sturdy, easy to set (which is a double edged sword, you have to make sure someone doesn't knock a fin) and are probably how things should have been done on the Kudo.</p></blockquote><p></p>
[QUOTE="Nick Boulton, post: 133991, member: 252"] Re: L'acoustics K2 Yes I am, I was warned against mixing Symmetric and Asymmetric dispersion within the array due to the slightly jarring shift of having the acoustic centre of the box move as you transition, so I haven't tried it. But using 70 degree cabinets for most of the array and 110 degree cabinets for 'downfill' boxes sounds very even and consistent. The Fins (apparently they aren't louvres any more) only affect the HF dispersion (and are actually very good), the rest of the cabinet is a standard Dipole arrangement with no other pattern control. The fins themselves are sturdy, easy to set (which is a double edged sword, you have to make sure someone doesn't knock a fin) and are probably how things should have been done on the Kudo. [/QUOTE]
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