Log in
Register
Home
Forums
New posts
Search forums
What's new
Featured content
New posts
New profile posts
Latest activity
News
Members
Current visitors
New profile posts
Search profile posts
Features
Log in
Register
What's new
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Pro Audio
Junior Varsity
life after the DEQ 2496
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="Tim Weaver" data-source="post: 25896" data-attributes="member: 317"><p>Re: life after the DEQ 2496</p><p></p><p></p><p></p><p>Pretty much every digi console let's you patch inserts. You burn an input and and output and just patch in a graphic. I've had to do it a few times when an act wants either a 31 band, or more likely, an analog vocal channel. You go through an additional AD/DA conversion process but to these acts it doesn't matter.</p><p></p><p>On the flip side to that, we have now included a couple of ways to get analog from the stage to FOH and back to the stage so that those acts with a rack for their star vocal can remain analog until it goes into the stage rack. We run a 4 channel aes-ebu snake to FOH and use that sometimes for analog signals. Or we also have some boxes that take one of our spare ethernet lines and turns it into 2 channels of XLR.</p></blockquote><p></p>
[QUOTE="Tim Weaver, post: 25896, member: 317"] Re: life after the DEQ 2496 Pretty much every digi console let's you patch inserts. You burn an input and and output and just patch in a graphic. I've had to do it a few times when an act wants either a 31 band, or more likely, an analog vocal channel. You go through an additional AD/DA conversion process but to these acts it doesn't matter. On the flip side to that, we have now included a couple of ways to get analog from the stage to FOH and back to the stage so that those acts with a rack for their star vocal can remain analog until it goes into the stage rack. We run a 4 channel aes-ebu snake to FOH and use that sometimes for analog signals. Or we also have some boxes that take one of our spare ethernet lines and turns it into 2 channels of XLR. [/QUOTE]
Insert quotes…
Verification
Post reply
Home
Forums
Pro Audio
Junior Varsity
life after the DEQ 2496
Top
Bottom
Sign-up
or
log in
to join the discussion today!
