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Life on the Road with All Time Low
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<blockquote data-quote="Daniel Nickleski" data-source="post: 161101" data-attributes="member: 83"><p>Hammer</p><p> I can chime in on the monitor questions you have seeing as I am the bands "ME". We currently have 9 stereo IEM mixes and 3 "fill" mixes which are subwoofer only mixes. </p><p>1. Jack - SR GT</p><p>2. Alex - Lead Vocal/ GT</p><p>3. Zack - Bass / Vocals</p><p>4. Rian - Drums (Drum Tech also shares this mix)</p><p>5. Matt C - Stage Musician</p><p>6. Matt F - TM / Backing Vox</p><p>7. Guitar Techs</p><p>8. Guest Mix</p><p>9. MY mix</p><p>10. Sidefill SR (Clair BT218)</p><p>11. Sidefill SL (Clair BT218)</p><p>12. Drum Fill (2 Clair I5b's)</p><p></p><p></p><p>I am using an Avid SC48 and have snapshots for the whole show. I have kept it pretty simple with 1 snapshot per song and a between song snapshot. I think my latest snapshot count was in the lower 40's. </p><p></p><p>The between song snapshots simple bring up the overall level of the Audience Mics in the first three mixes (the guys who do all the talking on stage). It also kills the verb on the the vocals and guitars. </p><p></p><p>The actually songs are setup to change overall track levels (7 tracks plus click) and also levels on inputs like Acoustic Guitar, Violin, and Spare vocal which are used by different people thru out the set. </p><p></p><p>We also have two songs at the end of the set that have a lot of crowd participation in them. Both of those are scoped to have more audience mics in the lead vocal mix. </p><p></p><p>Other than those few changes I do all the mixing on the fly. I do this because we are in such a wide variety of rooms. Weeknights are 1,200-2,500 cap rooms with small stages and weekends are 2,500-4,500 cap rooms with big stages. It is way easier for me to ride mixes with this ever changing factor. </p><p></p><p></p><p></p><p>Jay - I would have to say the bigger the room the better the mixes with this band. They all love to have a huge live sound in there mixes. So when I am in a larger room I have a let less work to do. </p><p></p><p>In the smaller rooms I am mixing NON stop. I use a hand full of verbs and lots of stereo panning to make the mixes sound bigger than they actually are. I also have to ride my vocal mic levels (via VCA) due to the cymbal bleed on small stages.</p></blockquote><p></p>
[QUOTE="Daniel Nickleski, post: 161101, member: 83"] Hammer I can chime in on the monitor questions you have seeing as I am the bands "ME". We currently have 9 stereo IEM mixes and 3 "fill" mixes which are subwoofer only mixes. 1. Jack - SR GT 2. Alex - Lead Vocal/ GT 3. Zack - Bass / Vocals 4. Rian - Drums (Drum Tech also shares this mix) 5. Matt C - Stage Musician 6. Matt F - TM / Backing Vox 7. Guitar Techs 8. Guest Mix 9. MY mix 10. Sidefill SR (Clair BT218) 11. Sidefill SL (Clair BT218) 12. Drum Fill (2 Clair I5b's) I am using an Avid SC48 and have snapshots for the whole show. I have kept it pretty simple with 1 snapshot per song and a between song snapshot. I think my latest snapshot count was in the lower 40's. The between song snapshots simple bring up the overall level of the Audience Mics in the first three mixes (the guys who do all the talking on stage). It also kills the verb on the the vocals and guitars. The actually songs are setup to change overall track levels (7 tracks plus click) and also levels on inputs like Acoustic Guitar, Violin, and Spare vocal which are used by different people thru out the set. We also have two songs at the end of the set that have a lot of crowd participation in them. Both of those are scoped to have more audience mics in the lead vocal mix. Other than those few changes I do all the mixing on the fly. I do this because we are in such a wide variety of rooms. Weeknights are 1,200-2,500 cap rooms with small stages and weekends are 2,500-4,500 cap rooms with big stages. It is way easier for me to ride mixes with this ever changing factor. Jay - I would have to say the bigger the room the better the mixes with this band. They all love to have a huge live sound in there mixes. So when I am in a larger room I have a let less work to do. In the smaller rooms I am mixing NON stop. I use a hand full of verbs and lots of stereo panning to make the mixes sound bigger than they actually are. I also have to ride my vocal mic levels (via VCA) due to the cymbal bleed on small stages. [/QUOTE]
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