Lifting heavy boxes/ what's your approach?

Bob Dodge

Freshman
Nov 9, 2011
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Guys, I have a little "weight problem"; specifically, a pair of U15p's, and two pairs of EF500pb's. Average weight is roughly 85-90 lbs. I simply don't have the budget or clientele, to switch to light-weight tops, and recently, I have developed a bit of a back problem, that has not responded well to therapy. Doc says it'll probably be permanent, and my age doesn't help either (64 in a few months).

Now, I imagine many of you have helpers, but where no helpers are available, how are you hoisting your heavier mains? I'm not talking about elevating them with crank-stands and such,,,, I'm more curious about how you're getting up on the crank-stands in the first place, from floor level.

Thanks,

Bob
 
Re: Lifting heavy boxes/ what's your approach?

It depends on the crank up stand... if it uses the pole mount, you're gonna need a helper. I have no problem telling clients I need a helper at their gig. I try to make quick and effective use of them. If the client says "we can't provide such help" I add $100 to the price and hire a friend to help with the in and out. If the client complains I remind them that finding me a helper for 30 minutes, for the in and out, will make the $100 fee go away. I've also found, when working hotel ballrooms and similar facilities, that a $10 tip to a houseman will get me some low skill labor for the brief times I need help.

You need to build help into your fee structure or come with with lifts that the speakers hang under, rather that sit on top of. Then you'd need help with the lifts.... :(

Also I saw your post about stairs and similar architectural obstacles. Nothing I take to gigs like yours are bigger or heavier than a person in a wheel chair, so I ask about handicap accessibility. If the only access is up or down stairs, I tell the client there is a "PITA" (pain in the access) fee to pay for help.

And about client-supplied help... easier to have on the load in, but they seem to disappear when you need them on the out, or they've had more to drink than you're comfortable with, etc. I usually get what we used to call a "loader deposit" that was $100 per helper, in CASH ONLY, at the time of arrival. If the agreed-upon helpers were there at the in, half the money immediately was refunded to the client. If the help was all there on the out, the remaining deposit was immediately refunded upon conclusion of the out. If help was missing, I got on the phone and called up a couple of buddies, who I paid with the client's cash. Will this be off-putting to some clients? Yes. And they are the kind of clients that don't care about your 64 year old back or anything else. These are the kind that you simply hire help and build the cost into your fee.

Injuring yourself or others because the client is a cheap-ass or books their events in inaccessible venues is a form of martyrdom... and the only successful martyrs are dead martyrs. Don't hurt yourself because simple-minded clients don't understand the personal injury risks, simply get assistance or decline their gig. None of this shit is worth hurting yourself over.

Have fun, good luck.

Tim Mc
 
Re: Lifting heavy boxes/ what's your approach?

Start with the cabinet upside down. Open the stand and stick it in the pole cup, then push it over on it's side with the base of the stand in the vicinity where you want it placed. Then grab the speaker and walk it up from the sideways position. Don't try to do this with cheap-ass stands or they will snap like a twig and break your foot. While this is equipment abuse, quality stands I use have withstood it for years.
 
Re: Lifting heavy boxes/ what's your approach?

If it's heavier than ~75 lbs (or 50 lbs and is awkward), it's a two+ person lift. While there are crank-type fork lifts (the Genie has several, for example), that's just another expense, more weight, etc.

If you can't shift to lighter speakers, Tim has the right answer - pass the costs of additional labor on to the client.
 
Re: Lifting heavy boxes/ what's your approach?

I should have phrased my question differently,,, Is there a piece of gear I can use, to lift the speakers onto stands,,, by myself? On many occasions, at the end of the night, when everybody's gone, including those who've said they'd help (while still sober), I find myself alone to pack out.
 
Re: Lifting heavy boxes/ what's your approach?

Start with the cabinet upside down. Open the stand and stick it in the pole cup, then push it over on it's side with the base of the stand in the vicinity where you want it placed. Then grab the speaker and walk it up from the sideways position.

I call that the Iwo Jima method. It works BUT sometimes the tripod tries to scoot on you.

I say hire a helper and add it into the gig cost.

Boomerweps
 
Re: Lifting heavy boxes/ what's your approach?

I should have phrased my question differently,,, Is there a piece of gear I can use, to lift the speakers onto stands,,, by myself? On many occasions, at the end of the night, when everybody's gone, including those who've said they'd help (while still sober), I find myself alone to pack out.

Yep, one of the issues with volunteer help is they want to help NOW, not when you actually need them. You will need to modify your work flow to do the big, heavy stuff soon after the show.

Got a grandkid with a strong back?
 
Re: Lifting heavy boxes/ what's your approach?

Yep, one of the issues with volunteer help is they want to help NOW, not when you actually need them. You will need to modify your work flow to do the big, heavy stuff soon after the show.

Got a grandkid with a strong back?

I've got a burly nephew,,,, problem is, he's west of Niagara Falls, 642 kilometers away. :lol:

Actually, most of the time I'll be OK. There's almost always someone around, before the gig starts. On elevated stages, I can use those folding platforms, to get the speakers "up" a bit. I just thought that there'd be a specific piece of gear that you can use, specifically to make the lift a safe and easy task.(short of a forklift truck).
 
Re: Lifting heavy boxes/ what's your approach?

I've got a burly nephew,,,, problem is, he's west of Niagara Falls, 642 kilometers away. :lol:

Actually, most of the time I'll be OK. There's almost always someone around, before the gig starts. On elevated stages, I can use those folding platforms, to get the speakers "up" a bit. I just thought that there'd be a specific piece of gear that you can use, specifically to make the lift a safe and easy task.(short of a forklift truck).

Niagara Falls? Slowly I turned... inch by inch....

How about this? A little over 100#, but you can keep your speakers on the floor to hook them to the lift... http://www.penn-elcom.com/product/trussing-amp-lighting/tower-lifts/tower-lifts/sas-4m/7019/
 
Re: Lifting heavy boxes/ what's your approach?

Niagara Falls? Slowly I turned... inch by inch....

How about this? A little over 100#, but you can keep your speakers on the floor to hook them to the lift... http://www.penn-elcom.com/product/trussing-amp-lighting/tower-lifts/tower-lifts/sas-4m/7019/

By George,,, I think he's GOT it.!!!! :D~:-D~:grin: In fact, I could probably make a set of those quite easily, from mild-steel square tubing. Hmmmm. Thanks for that link Tim.
 
Re: Lifting heavy boxes/ what's your approach?

How about this? A little over 100#, but you can keep your speakers on the floor to hook them to the lift... http://www.penn-elcom.com/product/trussing-amp-lighting/tower-lifts/tower-lifts/sas-4m/7019/

We've got a pair of those. Kind of a PITA to pack in the van and to set up, so they only get used as a last resort. On the upside they're fairly lightweight to carry and go pretty high. I think they were designed more as a trade show display stand than for working regular shows. And if the ceiling isn't high enough... you're out of luck.

I use the Iwo Jima method.
 
Re: Lifting heavy boxes/ what's your approach?

I went back and forth trying to decide about those for lifting and aiming/tilting a pair of HPR153's. When I finally got a quote on them, they are EXPENSIVE, so I ended up not doing anything about it.
 
Re: Lifting heavy boxes/ what's your approach?

I know this is out of bounds of the OP's question, but this issue is one of the big reasons I bought into the often looked down upon constant curvature world. I get not only the ability to fly them when necessary, but also high output from a system where each piece is 50lbs or less, though the number of pieces increases. I have no trouble setting up my system by myself, which is one of my highest priorities.

I've looked over the Danley SH portfolio and though I'm sure they sound fantastic, I can't lift any of the boxes that have enough output for my needs. Other brands seem to have similar problems. ~50 lb boxes are 127dB -130dB peak it seems.
 
Re: Lifting heavy boxes/ what's your approach?

Did you find any alternatives, just have to keep using stands?

The HPR153 does not have a pole mount. At this point I have a couple of "booster seats" to stack them on the subs. When outdoors, I use scaffolding. Vertical aiming is a weak point with my methods which is why I was interested in the hanging device. For the money you could easily put up a stick of truss on a couple of good stands and add the ability to adjust height of the whole apparatus.
 
Re: Lifting heavy boxes/ what's your approach?

I know this is out of bounds of the OP's question, but this issue is one of the big reasons I bought into the often looked down upon constant curvature world. I get not only the ability to fly them when necessary, but also high output from a system where each piece is 50lbs or less, though the number of pieces increases. I have no trouble setting up my system by myself, which is one of my highest priorities.

TJ,

Do you have any pics of your rig?
 
Re: Lifting heavy boxes/ what's your approach?

TJ,

Do you have any pics of your rig?
I'm apparently short on pictures on poles, but here's one of each.

Flown:
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Stacked on Global Truss ST-132:
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For indoor gigs if I'm confident the mains won't be bumped, they do actually work on Ultimate TS-99 stands. For any situation where I'm concerned about being bumped or wind, I break out the big dog stands, which weigh about 50lbs.
 

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