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<blockquote data-quote="Per SÃ¸vik" data-source="post: 97619" data-attributes="member: 1285">Re: Line Array Setup and AngleI guess the fly-attachments for the stage will not handle six flown boxes, but that is definitely what that set-up needs. Assuming you are inventory-limited to six boxes per side, having Wenger make some fly-attachments that gives you 600 lbs flypoints six feet above the roof lip would really do the trick (assuming the structure and hydraulics could handle it). When it comes to coverage and control, elevation rules, and trailer stages in general are sadly lacking in this department. Short of flying, stacking as high as possible with the top four boxes at zero degrees between them aiming for the top row is likely to be the best solution. Obviously, a lot of the sound energy will miss the audience completely, but as long as there is nothing behind that will be disturbed by the projected sound, this is probably your best compromise.</blockquote>

[QUOTE="Per SÃ¸vik, post: 97619, member: 1285"] Re: Line Array Setup and Angle I guess the fly-attachments for the stage will not handle six flown boxes, but that is definitely what that set-up needs. Assuming you are inventory-limited to six boxes per side, having Wenger make some fly-attachments that gives you 600 lbs flypoints six feet above the roof lip would really do the trick (assuming the structure and hydraulics could handle it). When it comes to coverage and control, elevation rules, and trailer stages in general are sadly lacking in this department. Short of flying, stacking as high as possible with the top four boxes at zero degrees between them aiming for the top row is likely to be the best solution. Obviously, a lot of the sound energy will miss the audience completely, but as long as there is nothing behind that will be disturbed by the projected sound, this is probably your best compromise. [/QUOTE]

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