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<blockquote data-quote="Jason Raboin" data-source="post: 43166" data-attributes="member: 524">Re: M1d array correctionIf I were to have 9 M1D per side in a flown array, I would start with all 9 in one array correction zone set to 9.&nbsp; I would try to separate the box zones based on where they were hitting - maybe front orchestra, rear orchestra (under the balcony), balcony.&nbsp; I would then put in the distances, temperature, and humidity.&nbsp; Then listen and walk.&nbsp; After that, 1-2 db of gain shading per zone if needed.&nbsp; I try not to eq zones individually, but sometimes it is what is needed to make up for room acoustics.Every installed Meyer system I have come across has been tuned a different way.&nbsp; Some have several array correction zones based on the box zones.&nbsp; Some have distances in, some do not.&nbsp; Some have zones eq&#039;d separately, others do not.&nbsp; The Galileo gives you a whole lot of ways to make a PA sound great...or screw it up royally.</blockquote>

[QUOTE="Jason Raboin, post: 43166, member: 524"] Re: M1d array correction If I were to have 9 M1D per side in a flown array, I would start with all 9 in one array correction zone set to 9. I would try to separate the box zones based on where they were hitting - maybe front orchestra, rear orchestra (under the balcony), balcony. I would then put in the distances, temperature, and humidity. Then listen and walk. After that, 1-2 db of gain shading per zone if needed. I try not to eq zones individually, but sometimes it is what is needed to make up for room acoustics. Every installed Meyer system I have come across has been tuned a different way. Some have several array correction zones based on the box zones. Some have distances in, some do not. Some have zones eq'd separately, others do not. The Galileo gives you a whole lot of ways to make a PA sound great...or screw it up royally. [/QUOTE]

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