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<blockquote data-quote="Tim McCulloch" data-source="post: 32876" data-attributes="member: 67">Re: Up in smoke!Because our rigs can get any amp rack in any position, a System Architect Venue file is not a &#039;static&#039; thing.&nbsp; For aligning subs within a sub array, I use the I-Tech processing, same with intra-hang EQ, delay and levels for the tops, but to align the entire hang to the subs, the front fills to backline, EQ the side hangs, etc., I use a system DSP.&nbsp; This also allows me to give a BE much control of things he might want to change and keeps him out of the stuff he shouldn&#039;t be in.The Lab Gruppens used by Clair have Lake processing inside, but Clair still uses Dolby Lake Processors to control and integrate the major subsystems that comprise the total rig.&nbsp; In theory they could use the amp processing, *I suppose*, but choose a more convenient tool for the SE/BE to do their jobs with.YMMV.Tim Mc</blockquote>

[QUOTE="Tim McCulloch, post: 32876, member: 67"] Re: Up in smoke! Because our rigs can get any amp rack in any position, a System Architect Venue file is not a 'static' thing. For aligning subs within a sub array, I use the I-Tech processing, same with intra-hang EQ, delay and levels for the tops, but to align the entire hang to the subs, the front fills to backline, EQ the side hangs, etc., I use a system DSP. This also allows me to give a BE much control of things he might want to change and keeps him out of the stuff he shouldn't be in. The Lab Gruppens used by Clair have Lake processing inside, but Clair still uses Dolby Lake Processors to control and integrate the major subsystems that comprise the total rig. In theory they could use the amp processing, *I suppose*, but choose a more convenient tool for the SE/BE to do their jobs with. YMMV. Tim Mc [/QUOTE]

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