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Marc Lopez of Yamaha Commercial Audio Q&A
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<blockquote data-quote="Marc Lopez" data-source="post: 122515" data-attributes="member: 7061"><p>Re: Marc Lopez of Yamaha Commercial Audio Q&A</p><p></p><p></p><p></p><p>Hi Andy,</p><p></p><p>I appreciate the feedback. One of the challenges with the console convertor is that there isn't a 1:1 parameter parity amongst the 3 consoles you mention. CL and PM5D have greater granularity on features like Recall Safe and Focus than M7Cl, and there are still a few differences between CL and PM5D. With I/O patch, there are many differences between the various consoles. For instance PM5D and M7 may have AD1-48 as patch sources while CL relies on DANTE 1-64 for its primary inputs. We could make logical assumptions for these conversions, but we primarily intended the tool to convert mixing parameters. </p><p></p><p>We'll add your requests to our upgrade list and investigate it further.</p></blockquote><p></p>
[QUOTE="Marc Lopez, post: 122515, member: 7061"] Re: Marc Lopez of Yamaha Commercial Audio Q&A Hi Andy, I appreciate the feedback. One of the challenges with the console convertor is that there isn't a 1:1 parameter parity amongst the 3 consoles you mention. CL and PM5D have greater granularity on features like Recall Safe and Focus than M7Cl, and there are still a few differences between CL and PM5D. With I/O patch, there are many differences between the various consoles. For instance PM5D and M7 may have AD1-48 as patch sources while CL relies on DANTE 1-64 for its primary inputs. We could make logical assumptions for these conversions, but we primarily intended the tool to convert mixing parameters. We'll add your requests to our upgrade list and investigate it further. [/QUOTE]
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