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<blockquote data-quote="Anthony Aquilato" data-source="post: 125490" data-attributes="member: 7895">Re: Marc Lopez of Yamaha Commercial Audio Q&amp;AHi Marc. Thank you for taking the time to field these questions for us. And especially from me as I&#039;m new to this forum, have read through it all but still have some things I need explaining to help me as I am about to embark on using the CL5 to mix both FOH and MON from the one console.Let me start with a head amp question. When having this scenario on one analog desk I have always &quot;Y-split&quot; the input into the stage box or console so I could have control over two faders. One for both FOH and MON respectively. This gives me separate gain and channel EQ which avoids MON feedback nicely.So now without doing this analog trick into the RIO I/O I have one channel head amp and one channel EQ for two very different output sources.I will certainly insert a GEQ on that mix but normally after I ring out the mix and adjust the 31bandEQ I go for MON channel EQ for minor adjustments when asked by the artist. This doesn&#039;t change my FOH EQ.So I set the HA for optimum level. Do I use Gain Compensation or not?That&#039;s the first question. I&#039;ll have a one or two more but let&#039;s take one at a time.Anyone reading this post please feel free to add your positive comments.Thanks!</blockquote>

[QUOTE="Anthony Aquilato, post: 125490, member: 7895"] Re: Marc Lopez of Yamaha Commercial Audio Q&A Hi Marc. Thank you for taking the time to field these questions for us. And especially from me as I'm new to this forum, have read through it all but still have some things I need explaining to help me as I am about to embark on using the CL5 to mix both FOH and MON from the one console. Let me start with a head amp question. When having this scenario on one analog desk I have always "Y-split" the input into the stage box or console so I could have control over two faders. One for both FOH and MON respectively. This gives me separate gain and channel EQ which avoids MON feedback nicely. So now without doing this analog trick into the RIO I/O I have one channel head amp and one channel EQ for two very different output sources. I will certainly insert a GEQ on that mix but normally after I ring out the mix and adjust the 31bandEQ I go for MON channel EQ for minor adjustments when asked by the artist. This doesn't change my FOH EQ. So I set the HA for optimum level. Do I use Gain Compensation or not? That's the first question. I'll have a one or two more but let's take one at a time. Anyone reading this post please feel free to add your positive comments. Thanks! [/QUOTE]

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