Normal
Re: Micing a playSuggestion: place one 91 center stage and on each stage left and right. Roll off the HF a little and engage the 100 Hz high pass filter. Boost the mids a little.Subgroup these, and add a feedback destroyer. Notch out the first 3 to 5 feedback points.Now here is the key: only bring up the one that's needed. Follow the action with the faders.When you have a full cast on stage you can bring all of them up... but they are usually less needed then.A *carefully* set compressor can help here. It can help tame the blare somewhat when someone goes right up to them and screams or drops something or just pounds on the stage. You want a high threshold with a fairly high ratio... almost like a limiter.
Re: Micing a play
Suggestion: place one 91 center stage and on each stage left and right. Roll off the HF a little and engage the 100 Hz high pass filter. Boost the mids a little.
Subgroup these, and add a feedback destroyer. Notch out the first 3 to 5 feedback points.
Now here is the key: only bring up the one that's needed. Follow the action with the faders.
When you have a full cast on stage you can bring all of them up... but they are usually less needed then.
A *carefully* set compressor can help here. It can help tame the blare somewhat when someone goes right up to them and screams or drops something or just pounds on the stage. You want a high threshold with a fairly high ratio... almost like a limiter.
