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<blockquote data-quote="Jay Barracato" data-source="post: 121921" data-attributes="member: 24">Re: Microphone splitter questionsSo how are you going to hear the other sources? You seem to be working from the assumption that all you need to hear is your own voice and instrument.&nbsp;Having each band member independently controlling their monitors is the fast track to volume wars and out of control stage volumes.The professional approach is to think in terms of zones, and what needs to be heard in each of those zones, and considering all the sources that contribute to the TOTAL sound field in that zone.Two quick edits- an instrument level splitter is labeled a aby box like the Morley or radial. They can be used either direction.You line 6 may be a better monitor than what you are usually offered. I would still send the signals to the foh tech to mix. What you are missing is that dull or unclear monitors probably are not going to be fixed just by more level.Sent from my DROID RAZR HD</blockquote>

[QUOTE="Jay Barracato, post: 121921, member: 24"] Re: Microphone splitter questions So how are you going to hear the other sources? You seem to be working from the assumption that all you need to hear is your own voice and instrument. Having each band member independently controlling their monitors is the fast track to volume wars and out of control stage volumes. The professional approach is to think in terms of zones, and what needs to be heard in each of those zones, and considering all the sources that contribute to the TOTAL sound field in that zone. Two quick edits- an instrument level splitter is labeled a aby box like the Morley or radial. They can be used either direction. You line 6 may be a better monitor than what you are usually offered. I would still send the signals to the foh tech to mix. What you are missing is that dull or unclear monitors probably are not going to be fixed just by more level. Sent from my DROID RAZR HD [/QUOTE]

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