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Microphones for YouTube - SM7B or the humble SM57?
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<blockquote data-quote="Mike Caldwell" data-source="post: 216356" data-attributes="member: 170"><p>I like the term "audio fashion items" I see a lot of that on pod cast!</p><p></p><p>I would suggest including a part in the video about processing, You already touched on EQ, maybe take</p><p>that a little farther as well as compression and most importantly high pass filtering.</p><p>On somewhat full range speakers there are some pod cast that are all but unlistenable from the extreme amount</p><p>of low end on the voice.</p><p>Proper monitoring could also be a topic,</p><p></p><p>For live sound use while some mics can sound more or less the same there can be big differences</p><p>in how well they work on a live stage with stage monitors and that can sometimes become the</p><p>first choice in making a mic selection in those cases.</p><p>What mic works in a studio may not be the best choice on a live stage for both the mic and the mic technique.</p></blockquote><p></p>
[QUOTE="Mike Caldwell, post: 216356, member: 170"] I like the term "audio fashion items" I see a lot of that on pod cast! I would suggest including a part in the video about processing, You already touched on EQ, maybe take that a little farther as well as compression and most importantly high pass filtering. On somewhat full range speakers there are some pod cast that are all but unlistenable from the extreme amount of low end on the voice. Proper monitoring could also be a topic, For live sound use while some mics can sound more or less the same there can be big differences in how well they work on a live stage with stage monitors and that can sometimes become the first choice in making a mic selection in those cases. What mic works in a studio may not be the best choice on a live stage for both the mic and the mic technique. [/QUOTE]
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Microphones for YouTube - SM7B or the humble SM57?
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