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<blockquote data-quote="kristianjohnsen" data-source="post: 60543" data-attributes="member: 441">Re: Midas Pro 1Here are some of the reasons I sometimes do it:-It lets me equalize and compress the master bus after the 2track recording feed/other master feeds.-Allows me to double up on parametric EQ bands on the masters.-It allows me to use the master bus as a subgroup by not busing the regular groups to the LR, I only feed the groups to a matrix (as well as the LR to the same matrix).&nbsp; Voila - a &quot;free&quot; stereo group extra!-It allows me to listen to the LR output during line check, allowing me to eliminate the possibility of a patch/bus/mute mistake causing trouble for the first song of the set.&nbsp; I just PFL the master and mute the matrix.There probably are others, too.&nbsp; Like the saying goes:&nbsp; Don&#039;t knock it &#039;till you try it <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":)" title="Smile&nbsp; &nbsp; :)"&nbsp; data-smilie="1"data-shortname=":)" />Best regards,Kristian Johnsen</blockquote>

[QUOTE="kristianjohnsen, post: 60543, member: 441"] Re: Midas Pro 1 Here are some of the reasons I sometimes do it: -It lets me equalize and compress the master bus after the 2track recording feed/other master feeds. -Allows me to double up on parametric EQ bands on the masters. -It allows me to use the master bus as a subgroup by not busing the regular groups to the LR, I only feed the groups to a matrix (as well as the LR to the same matrix). Voila - a "free" stereo group extra! -It allows me to listen to the LR output during line check, allowing me to eliminate the possibility of a patch/bus/mute mistake causing trouble for the first song of the set. I just PFL the master and mute the matrix. There probably are others, too. Like the saying goes: Don't knock it 'till you try it :) Best regards, Kristian Johnsen [/QUOTE]

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