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<blockquote data-quote="Jason Misterka" data-source="post: 64259" data-attributes="member: 428">Re: Midas Pro 1Thanks for the link.&nbsp; That looks like the ticket.&nbsp; The LS9 in this case was used only for MC, video, and playback.&nbsp; All artist consoles, and our Profile, etc, we were plugging directly into the system processors.&nbsp; Which is what I would be trying to avoid with this purchase <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":)" title="Smile&nbsp; &nbsp; :)"&nbsp; data-smilie="1"data-shortname=":)" />&nbsp; While I&#039;d be thrilled to use the AES inputs, assuming it is correctly done in regards to clocking (however that would be), I don&#039;t know that it is crucial.&nbsp; Most every artist tech that I&#039;ve worked with has a loom with analog L R Sub Fronts hanging out for me.&nbsp; If we can make the digital input work, great, but since the signal will be hitting the amps as Dante from the Pro 1, it doesn&#039;t add any additional A/D converters then the old way. Buying the more expensive stage rack (instead of the DL251), and then having to keep it at FOH (instead of using it as the stage snake) for the AES inputs probably is not within the realistic realm of the project at this point.&nbsp; Perhaps once we have other Pro series inventory it will be within easier reach.Which brings me to next question.&nbsp; We are buying another large format console, Pro2 or another SC48?&nbsp; Just kidding, lets keep this thread on the Pro 1...Thanks for the advice!Jason</blockquote>

[QUOTE="Jason Misterka, post: 64259, member: 428"] Re: Midas Pro 1 Thanks for the link. That looks like the ticket. The LS9 in this case was used only for MC, video, and playback. All artist consoles, and our Profile, etc, we were plugging directly into the system processors. Which is what I would be trying to avoid with this purchase :) While I'd be thrilled to use the AES inputs, assuming it is correctly done in regards to clocking (however that would be), I don't know that it is crucial. Most every artist tech that I've worked with has a loom with analog L R Sub Fronts hanging out for me. If we can make the digital input work, great, but since the signal will be hitting the amps as Dante from the Pro 1, it doesn't add any additional A/D converters then the old way. Buying the more expensive stage rack (instead of the DL251), and then having to keep it at FOH (instead of using it as the stage snake) for the AES inputs probably is not within the realistic realm of the project at this point. Perhaps once we have other Pro series inventory it will be within easier reach. Which brings me to next question. We are buying another large format console, Pro2 or another SC48? Just kidding, lets keep this thread on the Pro 1... Thanks for the advice! Jason [/QUOTE]

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