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<blockquote data-quote="Kevin Maxwell" data-source="post: 131970" data-attributes="member: 321">Re: Midas Pro2C Automation FadersIf you safe things they won’t change. When doing a musical I safe almost everything but the faders and depending on the console or the control software running it, on some I can make it only recall new faders coming up so I don’t lose my mix each time a snapshot is recalled. I also always safe the trims. We do a mic check (all actors with wireless standing across the stage and we have them sing a group number and then each one, one at a time give me some dialog) before each rehearsal and show and I tweak the trim at that point if I need to. We usually have a lot of characters that are double cast. So it helps to set it for each actor before the show. I also use automixers for the dialog parts but that is another post. And I have posted it before. But if you want more information on that just ask. Also if you use the snapshots to use the moving faders you can very easily see what mics you need to mix for that scene and if you safe the mutes you can kill a mic if something goes wrong with it or an actor misses an entrance. And you don’t have that mic keep popping on with each new recalled snapshot. You can then un-mute it when all is well again.</blockquote>

[QUOTE="Kevin Maxwell, post: 131970, member: 321"] Re: Midas Pro2C Automation Faders If you safe things they won’t change. When doing a musical I safe almost everything but the faders and depending on the console or the control software running it, on some I can make it only recall new faders coming up so I don’t lose my mix each time a snapshot is recalled. I also always safe the trims. We do a mic check (all actors with wireless standing across the stage and we have them sing a group number and then each one, one at a time give me some dialog) before each rehearsal and show and I tweak the trim at that point if I need to. We usually have a lot of characters that are double cast. So it helps to set it for each actor before the show. I also use automixers for the dialog parts but that is another post. And I have posted it before. But if you want more information on that just ask. Also if you use the snapshots to use the moving faders you can very easily see what mics you need to mix for that scene and if you safe the mutes you can kill a mic if something goes wrong with it or an actor misses an entrance. And you don’t have that mic keep popping on with each new recalled snapshot. You can then un-mute it when all is well again. [/QUOTE]

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