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<blockquote data-quote="Tim McCulloch" data-source="post: 120901" data-attributes="member: 67">Re: Mixing Monitors OnstageDING DING DING!&nbsp; We have a winner.&nbsp; The tool provided provides the tools.For Eric - have a talkback mic so the star can hear you in his IEMs during sound check.&nbsp; Know how to put reverb in the IEM mix. <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f609.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=";)" title="Wink&nbsp; &nbsp; ;)"&nbsp; data-smilie="2"data-shortname=";)" />&nbsp; Another suggestion is to split each input to 2 channels so you have fully independent channel strip EQ for both wedges and ears.&nbsp; On an X32, I&#039;d assign input 1 to channels 1 &amp; 9; input 2 to channels 2 &amp; 10, etc.&nbsp; Channels&nbsp; 1-8 would be for IEM and 9-16 for wedges. For your gig this will work exquisitely and you&#039;ll be a Monitor Beach Hero (just in time for spring break!).Make your Stereo Mix (formerly known as &quot;AUX&quot;) sends &quot;post EQ, post fader&quot; and you&#039;ll be able to mix from the top layer.Have fun, good luck.Tim Mc</blockquote>

[QUOTE="Tim McCulloch, post: 120901, member: 67"] Re: Mixing Monitors Onstage DING DING DING! We have a winner. The tool provided provides the tools. For Eric - have a talkback mic so the star can hear you in his IEMs during sound check. Know how to put reverb in the IEM mix. ;) Another suggestion is to split each input to 2 channels so you have fully independent channel strip EQ for both wedges and ears. On an X32, I'd assign input 1 to channels 1 & 9; input 2 to channels 2 & 10, etc. Channels 1-8 would be for IEM and 9-16 for wedges. For your gig this will work exquisitely and you'll be a Monitor Beach Hero (just in time for spring break!). Make your Stereo Mix (formerly known as "AUX") sends "post EQ, post fader" and you'll be able to mix from the top layer. Have fun, good luck. Tim Mc [/QUOTE]

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