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<blockquote data-quote="Tim McCulloch" data-source="post: 120916" data-attributes="member: 67">Re: Mixing Monitors OnstageIt&#039;s an operational preference, and you&#039;re the operator.&nbsp; If you&#039;re more at home twisting aux send knobs, do it that way.So the disclaimer:&nbsp; I&#039;m mostly a system engineer and FOH mixer these days.&nbsp; When I first found the Yamaha M7 and the way the mix select/solo and sends on faders could work together, I saw a faster and better way to mix monitors than I&#039;d had access to before.20 years ago some poor souls thought I was a monitor guru.&nbsp; I got a fast education at their expense - and I think we all survived - but I greatly prefer to mix FOH.&nbsp; Other folks thrive on working directly with the talent in this rather intimate sort of way and I think their advice and counsel will be far better than mine.And remember:&nbsp; Whatever ain&#039;t physics, is psychology.Tim Mc</blockquote>

[QUOTE="Tim McCulloch, post: 120916, member: 67"] Re: Mixing Monitors Onstage It's an operational preference, and you're the operator. If you're more at home twisting aux send knobs, do it that way. So the disclaimer: I'm mostly a system engineer and FOH mixer these days. When I first found the Yamaha M7 and the way the mix select/solo and sends on faders could work together, I saw a faster and better way to mix monitors than I'd had access to before. 20 years ago some poor souls thought I was a monitor guru. I got a fast education at their expense - and I think we all survived - but I greatly prefer to mix FOH. Other folks thrive on working directly with the talent in this rather intimate sort of way and I think their advice and counsel will be far better than mine. And remember: Whatever ain't physics, is psychology. Tim Mc [/QUOTE]

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