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Junior Varsity
Musical Theatre Mute/DCA Automation "Granularity"?
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<blockquote data-quote="Tim Padrick" data-source="post: 141420" data-attributes="member: 99"><p>Re: Musical Theatre Mute/DCA Automation "Granularity"?</p><p></p><p>We (theater) have an LS9 but would likely run an X32 the same. Once we have the channels labeled, we Safe everything but the faders (this allows gain and EQ changes as the tech rehearsals and shows require them). We usually have a scene change every time an actor enters or leaves. Using fader changes instead of mutes allows the operator (and assistant) to see at a glance who is on and who is off. If an actor needs to always be louder or quieter on a particular scene, just adjust the fader accordingly and re-save that scene. (Our max was Fiddler, with 147 scenes. I think the min has been in the 50s.)</p></blockquote><p></p>
[QUOTE="Tim Padrick, post: 141420, member: 99"] Re: Musical Theatre Mute/DCA Automation "Granularity"? We (theater) have an LS9 but would likely run an X32 the same. Once we have the channels labeled, we Safe everything but the faders (this allows gain and EQ changes as the tech rehearsals and shows require them). We usually have a scene change every time an actor enters or leaves. Using fader changes instead of mutes allows the operator (and assistant) to see at a glance who is on and who is off. If an actor needs to always be louder or quieter on a particular scene, just adjust the fader accordingly and re-save that scene. (Our max was Fiddler, with 147 scenes. I think the min has been in the 50s.) [/QUOTE]
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Musical Theatre Mute/DCA Automation "Granularity"?
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