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Junior Varsity
Musicals...
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<blockquote data-quote="Jordan Wolf" data-source="post: 50220" data-attributes="member: 316"><p>Re: Musicals...</p><p></p><p></p><p>I often see lavs taped near the forehead or temple or on glasses. The two biggest parts are getting the actor to project and finding that sweet spot for your transmitter's gain setting so that you're getting full AF modulation in the frequency bandwidth you're utilizing while not clipping out the bodypack's input/output stage(s).</p><p></p><p>I always prefer headset mics that get the element as close to the source as possible and remain equidistant no matter how the actor moves. This puts the onus of performance on the actor (where it belongs) but may be difficult to put into practice with amateur/unseasoned actors.</p></blockquote><p></p>
[QUOTE="Jordan Wolf, post: 50220, member: 316"] Re: Musicals... I often see lavs taped near the forehead or temple or on glasses. The two biggest parts are getting the actor to project and finding that sweet spot for your transmitter's gain setting so that you're getting full AF modulation in the frequency bandwidth you're utilizing while not clipping out the bodypack's input/output stage(s). I always prefer headset mics that get the element as close to the source as possible and remain equidistant no matter how the actor moves. This puts the onus of performance on the actor (where it belongs) but may be difficult to put into practice with amateur/unseasoned actors. [/QUOTE]
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