Log in
Register
Home
Forums
New posts
Search forums
What's new
Featured content
New posts
New profile posts
Latest activity
News
Members
Current visitors
New profile posts
Search profile posts
Features
Log in
Register
What's new
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Pro Audio
Junior Varsity
Musicals...
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="Jordan Wolf" data-source="post: 50419" data-attributes="member: 316"><p>Re: Musicals...</p><p></p><p></p><p>I have noticed that the approach to SPL is much different than RnR gigs. I agree with it, though...make the audience listen, but not strain to hear. Some judicious compression can help keep the dynamic range tolerable. The use of an automixer on mics that may receive the same sources could be helpful in keeping phasing to a minimum while maintaining the apparent gain you already have with both mics open.</p><p></p><p></p><p>When I have a bunch of the same lavs in a similar spatial environment but do not have access to more EQ, I absolutely use the bus method. I very often get stuck with a couple of GEQs and one swept mid channel EQ all the time...frustrating, but do-able.</p><p></p><p>I'd love a follow-up after your next theater gig, Kim. Let us know how things go and what tricks you used.</p></blockquote><p></p>
[QUOTE="Jordan Wolf, post: 50419, member: 316"] Re: Musicals... I have noticed that the approach to SPL is much different than RnR gigs. I agree with it, though...make the audience listen, but not strain to hear. Some judicious compression can help keep the dynamic range tolerable. The use of an automixer on mics that may receive the same sources could be helpful in keeping phasing to a minimum while maintaining the apparent gain you already have with both mics open. When I have a bunch of the same lavs in a similar spatial environment but do not have access to more EQ, I absolutely use the bus method. I very often get stuck with a couple of GEQs and one swept mid channel EQ all the time...frustrating, but do-able. I'd love a follow-up after your next theater gig, Kim. Let us know how things go and what tricks you used. [/QUOTE]
Insert quotes…
Verification
Post reply
Home
Forums
Pro Audio
Junior Varsity
Musicals...
Top
Bottom
Sign-up
or
log in
to join the discussion today!
