You would have gotten better talent, better song writing, better vocals and probably better lights had you gone to see The Dixie Chicks instead.
Not that new of a technique.
The uglier the band is, the more you bias the lighting toward upstage.
Some bands only have follow spots downstage. Some don't even bother with that.
Same logic why so many FOH's are pitch black?
You could not tell that the bass player was actually playing more than one note on his 6 string bass.
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Very loud. I like loud. This was stupid loud.
I saw Toby twice.Both times outdoors and while it was loud,it wasn't stupid loud.It was very well balanced.But that was 5 or 6 years ago so maybe he got some one new at FOH.Well, the Toby Keith performance was quite good. Still excessive use of crowd lights which made it painful to look at the stage. I wonder if these acts know they are making it hard for the fans to look at them?
Very loud. I like loud. This was stupid loud. I think the engineer has figured out how loud the rig can go and that is what he does. A speaking voice does not need to be at over 100dB(A).
The pa was very good sounding but the low freq emphasis made the kick a big thump and rendered the bass (instrument) toneless. All low mud at deafening levels. You could not tell that the bass player was actually playing more than one note on his 6 string bass.
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A couple of years ago the analog fog was from clair Nashville. I think the board may have been a crest but I m not sure. They had a boatload of outboard with them but dierks was doing the acoustic set embedded in the rest of the electric show.
It might have been a Crest. It didn't look like a Midas but I couldn't get close enough to tell.
The Toby Keith show was in a shed amphitheater. I had center row AA seats and was blinded and deafened.
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So, I am writing this at a Toby Keith concert.
I have earplugs in because it is over 110dB and sunglasses because the light show consists on blinding the audience constantly. I cannot even look at the stage. What are they thinking!
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Mixing loud is comparatively much easier IMHO than the opposite.
I like loud too, but agree that many shows are TOO loud.
I really think mixing too loud is sometimes used as a crutch by engineers. Rather than trying to deal with bad acoustics or other circumstances that would require some major finesse, they just load their show file, crank it, and give the kick drum the star treatment.
Mixing loud is comparatively much easier IMHO than the opposite. Of course that doesn't really address your 1 note bass comment - a healthy boost around 800 is sometimes helpful for bass clarity, though there certainly could have been MANY factors contributing to this.
Re the blinders lighting technique, if you want a rant, just ask the video guys/camera operators what they think of them! See this example: https://www.youtube.com/watch?v=pCu1or4Kiio (warning, you may be distracted by the ridiculously talented bass player)