Log in
Register
Home
Forums
New posts
Search forums
What's new
Featured content
New posts
New profile posts
Latest activity
News
Members
Current visitors
New profile posts
Search profile posts
Features
Log in
Register
What's new
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Pro Audio
Varsity
New Midas M32 Console
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="Jason Misterka" data-source="post: 114458" data-attributes="member: 428"><p>re: New Midas M32 Console</p><p></p><p></p><p></p><p>Kevin -</p><p></p><p>I would not like to do music theater with an SC48. </p><p></p><p>On the other hand, I have mixed many 40+ channel shows, including symphony and other classical events, as well as monitors at a festival and at a band showcase (20 minute soundchecks in the morning, 15 minute show with 5 minute changeovers for 8+ bands) utilizing PRO 2c now. I love it.</p><p></p><p>If providing for a BE with limited experience on the desk, a PRO 2 is in order for their comfort. If I'm mixing though, for symphonies, festivals and showcases, I prefer the PRO 2C. </p><p></p><p>I haven't had to do music theater with it yet though. The POP groups are very helpful, especially since you can use Area B (the three faders on the right) for a second set of fader options. I put POP group 5 on these faders as my FX and POP group 6 as TB/CD/MC. So you never have to look for anything.</p><p></p><p>If it were me doing theater with it, I would really only use POP group 1 as "THINGS I NEED THIS SCENE" and use the scene recall to bring the appropriate items to the top layer. Just a thought.</p><p></p><p>Jason</p></blockquote><p></p>
[QUOTE="Jason Misterka, post: 114458, member: 428"] re: New Midas M32 Console Kevin - I would not like to do music theater with an SC48. On the other hand, I have mixed many 40+ channel shows, including symphony and other classical events, as well as monitors at a festival and at a band showcase (20 minute soundchecks in the morning, 15 minute show with 5 minute changeovers for 8+ bands) utilizing PRO 2c now. I love it. If providing for a BE with limited experience on the desk, a PRO 2 is in order for their comfort. If I'm mixing though, for symphonies, festivals and showcases, I prefer the PRO 2C. I haven't had to do music theater with it yet though. The POP groups are very helpful, especially since you can use Area B (the three faders on the right) for a second set of fader options. I put POP group 5 on these faders as my FX and POP group 6 as TB/CD/MC. So you never have to look for anything. If it were me doing theater with it, I would really only use POP group 1 as "THINGS I NEED THIS SCENE" and use the scene recall to bring the appropriate items to the top layer. Just a thought. Jason [/QUOTE]
Insert quotes…
Verification
Post reply
Home
Forums
Pro Audio
Varsity
New Midas M32 Console
Top
Bottom
Sign-up
or
log in
to join the discussion today!