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New Midas PRO X Console at PL&S
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<blockquote data-quote="Chris Johnson" data-source="post: 117397" data-attributes="member: 975"><p>re: New Midas Pro X Console at PL&S</p><p></p><p>Shameless cross-post from 'the other' forum:</p><p></p><p><span style="color: #000000"><span style="font-family: 'Verdana'">One of the the interesting things with this product though is that it highlights a downside with the AES50 system when it comes to availability of all those I/O points. Let me explain:</span></span></p><p></p><p><span style="color: #000000"><span style="font-family: 'Verdana'">I'm of the opinion that the industry will head further toward modularity. Soon we won't run a 12 pair to the RF rack, we'll have an I/O box in the rack, and it will just sit on our audio 'backbone'. Midas now have a very comprehensive range of boxes to help you get closer to this goal. And the 15X range are very reasonably priced.</span></span></p><p><span style="color: #000000"><span style="font-family: 'Verdana'">However, you have 8 AES50 connections on the Neutron. Thats theoretically 192 in + 192 out. However, its actually impossible to connect that many channels unless you use all DL451s with 8in+8out jack cards. Any other rack combination ends up with a bunch of inaccessible AES50 'paths'</span></span></p><p><span style="color: #000000"><span style="font-family: 'Verdana'">If you use 16x8 DL153 racks, and cable them all redundantly, then you can only get 64 in and 32 out into the engine...</span></span></p><p><span style="color: #000000"><span style="font-family: 'Verdana'">If you use mic splitters, you could say have 3 of them cabled redundantly for 72 inputs, but you'd need the last 2 for some outputs, otherwise you'd have none...</span></span></p><p><span style="color: #000000"><span style="font-family: 'Verdana'">etc...</span></span></p><p></p><p><span style="color: #000000"><span style="font-family: 'Verdana'">Equally, at the console end, you only have 3 AES50 ports. So lets say you got a bunch of 431 mic splits, didn't do redundant cabling, and so got yourself 6 splits (144 in). You can't do a virtual soundcheck at FOH, because the most you can get into a recorder is 72ch via the AES50.</span></span></p><p></p><p><span style="color: #000000"><span style="font-family: 'Verdana'">So....</span></span></p><p></p><p><span style="color: #000000"><span style="font-family: 'Verdana'">I'm excited about Neutron, but I think its capabilities won't be fully realised until you can use the I/O in a better way.</span></span></p></blockquote><p></p>
[QUOTE="Chris Johnson, post: 117397, member: 975"] re: New Midas Pro X Console at PL&S Shameless cross-post from 'the other' forum: [COLOR=#000000][FONT=Verdana]One of the the interesting things with this product though is that it highlights a downside with the AES50 system when it comes to availability of all those I/O points. Let me explain:[/FONT][/COLOR] [COLOR=#000000][FONT=Verdana]I'm of the opinion that the industry will head further toward modularity. Soon we won't run a 12 pair to the RF rack, we'll have an I/O box in the rack, and it will just sit on our audio 'backbone'. Midas now have a very comprehensive range of boxes to help you get closer to this goal. And the 15X range are very reasonably priced.[/FONT][/COLOR] [COLOR=#000000][FONT=Verdana]However, you have 8 AES50 connections on the Neutron. Thats theoretically 192 in + 192 out. However, its actually impossible to connect that many channels unless you use all DL451s with 8in+8out jack cards. Any other rack combination ends up with a bunch of inaccessible AES50 'paths'[/FONT][/COLOR] [COLOR=#000000][FONT=Verdana]If you use 16x8 DL153 racks, and cable them all redundantly, then you can only get 64 in and 32 out into the engine...[/FONT][/COLOR] [COLOR=#000000][FONT=Verdana]If you use mic splitters, you could say have 3 of them cabled redundantly for 72 inputs, but you'd need the last 2 for some outputs, otherwise you'd have none...[/FONT][/COLOR] [COLOR=#000000][FONT=Verdana]etc...[/FONT][/COLOR] [COLOR=#000000][FONT=Verdana]Equally, at the console end, you only have 3 AES50 ports. So lets say you got a bunch of 431 mic splits, didn't do redundant cabling, and so got yourself 6 splits (144 in). You can't do a virtual soundcheck at FOH, because the most you can get into a recorder is 72ch via the AES50.[/FONT][/COLOR] [COLOR=#000000][FONT=Verdana]So....[/FONT][/COLOR] [COLOR=#000000][FONT=Verdana]I'm excited about Neutron, but I think its capabilities won't be fully realised until you can use the I/O in a better way.[/FONT][/COLOR] [/QUOTE]
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