Log in
Register
Home
Forums
New posts
Search forums
What's new
Featured content
New posts
New profile posts
Latest activity
News
Members
Current visitors
New profile posts
Search profile posts
Features
Log in
Register
What's new
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Pro Audio
Junior Varsity
Old school analog techniques
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="Jay Barracato" data-source="post: 100140" data-attributes="member: 24"><p>While I have covered some boards with tape on multi band shows, at this point I think I can grab any fader on a standard 4-8 piece rock band without looking if I am allowed to patch my way. Any oddballs end up in the same places also so all I typically have to do is look for what is not standard on stage and I know where it will fall on the board.</p><p></p><p>Bands seem to think they are doing me a favor by sharing mics, as if it is a great imposition to set up a mic and channel. If you need a mic for one song because the rhythm guitarist is going to play a xylophone, just ask and I will set it up at his playing position. No need to try and drag the SR vocal mic to SL and then adjust levels and then drag it back when you are done and readjust. Same thing for guest musicians band members invite on stage.</p><p></p><p>I think with digital recall people are forgetting that the reason some shows went to high channels counts on analog was simply to have things ready for a single part of the show.</p></blockquote><p></p>
[QUOTE="Jay Barracato, post: 100140, member: 24"] While I have covered some boards with tape on multi band shows, at this point I think I can grab any fader on a standard 4-8 piece rock band without looking if I am allowed to patch my way. Any oddballs end up in the same places also so all I typically have to do is look for what is not standard on stage and I know where it will fall on the board. Bands seem to think they are doing me a favor by sharing mics, as if it is a great imposition to set up a mic and channel. If you need a mic for one song because the rhythm guitarist is going to play a xylophone, just ask and I will set it up at his playing position. No need to try and drag the SR vocal mic to SL and then adjust levels and then drag it back when you are done and readjust. Same thing for guest musicians band members invite on stage. I think with digital recall people are forgetting that the reason some shows went to high channels counts on analog was simply to have things ready for a single part of the show. [/QUOTE]
Insert quotes…
Verification
Post reply
Home
Forums
Pro Audio
Junior Varsity
Old school analog techniques
Top
Bottom
Sign-up
or
log in
to join the discussion today!