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<blockquote data-quote="Lee Brenkman" data-source="post: 83743" data-attributes="member: 154"><p>Re: PK Sound</p><p></p><p></p><p></p><p>I had my cranky pants on yesterday. I am happy that Skrillex notices the difference and, apparently, lets the provider know his appreciation.</p><p></p><p>Many EDM performers I've encountered have very little understanding of how gain structure in their own sound generating and mixing gear works so that what reaches the provided system is already well into the "GI" category audio wise.</p><p></p><p>BUT as implied in my original comment, it the audience likes it and the performer feels they have adequate tools to reach that audience, the social contract between them is fulfilled. What I perceive as "quality" truly doesn't matter to THEM.</p><p></p><p>Work is created for many local providers by these acts and that too is a GOOD thing. </p><p></p><p>I will now take my old sound guy ears and mix a show that will seldom top 100db at the mix position ;-)</p></blockquote><p></p>
[QUOTE="Lee Brenkman, post: 83743, member: 154"] Re: PK Sound I had my cranky pants on yesterday. I am happy that Skrillex notices the difference and, apparently, lets the provider know his appreciation. Many EDM performers I've encountered have very little understanding of how gain structure in their own sound generating and mixing gear works so that what reaches the provided system is already well into the "GI" category audio wise. BUT as implied in my original comment, it the audience likes it and the performer feels they have adequate tools to reach that audience, the social contract between them is fulfilled. What I perceive as "quality" truly doesn't matter to THEM. Work is created for many local providers by these acts and that too is a GOOD thing. I will now take my old sound guy ears and mix a show that will seldom top 100db at the mix position ;-) [/QUOTE]
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