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<blockquote data-quote="Lee Brenkman" data-source="post: 83986" data-attributes="member: 154"><p>Re: PK Sound</p><p></p><p></p><p></p><p>Pascal,</p><p></p><p>I have hear the systems at Mezzanine and Harlot. Both clubs have excellent sound systems with the right tonal and frequency capabilities for the music they present (in the case of Mezzanine I'm speaking of the Funktion One rig). Any quarrel I might have had was with the source material, not the genre but the bad "tracks" and heavily compressed recordings used in the DJ's mix.</p><p></p><p>You and others providing the sound for these events both indoors and out do good work and seek out the right tools for your job.</p><p></p><p>But there are some providers who either get the job on the basis of price, hype or the purchasers enchantment with their particular brand of boom and sizzle.</p><p></p><p>I may not like the end result that emerges from the stages of many EDM artists but I do respect the ones who know the gear and use it effectively. I don't respect the ones who pose and abuse whatever system they are put in control of.</p><p></p><p>I hope I've always made it clear in my comments that if the connection between artist and audience is successful it is a "good show" but I still have heard less than "good" audio and it isn't always the fault of the gear or the system designer. And I note that in many cases the audience continued dancing and really didn't give a damn.</p></blockquote><p></p>
[QUOTE="Lee Brenkman, post: 83986, member: 154"] Re: PK Sound Pascal, I have hear the systems at Mezzanine and Harlot. Both clubs have excellent sound systems with the right tonal and frequency capabilities for the music they present (in the case of Mezzanine I'm speaking of the Funktion One rig). Any quarrel I might have had was with the source material, not the genre but the bad "tracks" and heavily compressed recordings used in the DJ's mix. You and others providing the sound for these events both indoors and out do good work and seek out the right tools for your job. But there are some providers who either get the job on the basis of price, hype or the purchasers enchantment with their particular brand of boom and sizzle. I may not like the end result that emerges from the stages of many EDM artists but I do respect the ones who know the gear and use it effectively. I don't respect the ones who pose and abuse whatever system they are put in control of. I hope I've always made it clear in my comments that if the connection between artist and audience is successful it is a "good show" but I still have heard less than "good" audio and it isn't always the fault of the gear or the system designer. And I note that in many cases the audience continued dancing and really didn't give a damn. [/QUOTE]
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