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The Basement
Psychoacoustics
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<blockquote data-quote="Christian Tepfer" data-source="post: 34514" data-attributes="member: 108"><p>Re: Psychoacoustics</p><p></p><p>I will stick with 6o6 and treat the original sound just like I would treat a main PA. </p><p></p><p>So equal level (original vs. amplified sound in this case) -> try to make arrival time equal.</p><p></p><p>I witnessed this effect to the extreme when I did a freejazz show, where extremely low levels of amplification were needed. So I had only a few channels even on on the desk. I ended the concert with all channels down/muted. It was the best sound job I ever did, can't do better than that. During the transition (band was not leveled on stage at this time, so I had to have a few channels on), delay was vital in order to not mess up the picture completely.</p></blockquote><p></p>
[QUOTE="Christian Tepfer, post: 34514, member: 108"] Re: Psychoacoustics I will stick with 6o6 and treat the original sound just like I would treat a main PA. So equal level (original vs. amplified sound in this case) -> try to make arrival time equal. I witnessed this effect to the extreme when I did a freejazz show, where extremely low levels of amplification were needed. So I had only a few channels even on on the desk. I ended the concert with all channels down/muted. It was the best sound job I ever did, can't do better than that. During the transition (band was not leveled on stage at this time, so I had to have a few channels on), delay was vital in order to not mess up the picture completely. [/QUOTE]
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