Hi all,
I'm doing a bunch of small outdoor shows where the stage is elevated approx 1m above the grass via a stone wall. Late afternoon/early evening, local bands, duos, trios - family orientated audience. Doesnt need to be loud, but consistent low frequency coverage would be nice.
The system is small but capable. Two subs - active 15" front loaded reflex. Normally I'd couple the subs side by side in the center on the grass up against the stage lip/wall.
Semi-randomly wandering the interwebs last night, I came across a thread in the Bill Fitzmaurice forum which relates to coupling horn-based subs.
http://billfitzmaurice.info/forum/viewtopic.php?t=398
I'm wondering if this coupling method for horn based subs:
might also work for reflex port coupling, bearing in mind I'm placing more importance on even coverage instead of maximum SPL. I'm already getting a coupling boost from the wall, but it would be nice to derive a bit more if possible by modifying the speaker coupling arrangement.
Thanks,
Sean
I'm doing a bunch of small outdoor shows where the stage is elevated approx 1m above the grass via a stone wall. Late afternoon/early evening, local bands, duos, trios - family orientated audience. Doesnt need to be loud, but consistent low frequency coverage would be nice.
The system is small but capable. Two subs - active 15" front loaded reflex. Normally I'd couple the subs side by side in the center on the grass up against the stage lip/wall.
Semi-randomly wandering the interwebs last night, I came across a thread in the Bill Fitzmaurice forum which relates to coupling horn-based subs.
http://billfitzmaurice.info/forum/viewtopic.php?t=398
I'm wondering if this coupling method for horn based subs:
might also work for reflex port coupling, bearing in mind I'm placing more importance on even coverage instead of maximum SPL. I'm already getting a coupling boost from the wall, but it would be nice to derive a bit more if possible by modifying the speaker coupling arrangement.
Thanks,
Sean