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Reasonably Priced Large Format Line Arrays
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<blockquote data-quote="Brandon Blakeney" data-source="post: 68813" data-attributes="member: 178"><p>Re: Reasonably Priced Large Format Line Arrays</p><p></p><p></p><p></p><p>You make a good point that I can't argue with.....Geri's company is not really my competition they deal in bigger shows and more of them. Most of the acts I deal with are 20K at most, really closer to 5-10K rising or falling country acts. The average rider I get wants 32-40 channels FOH and Monitor consoles, 5-8 monitor mixes, a mic package, and a FOH PA that does 120 dB at 100ft. </p><p></p><p>It all comes down to economics, if I did double, triple, or quadruple the number of shows (even the same size or smaller shows) I could afford much bigger/better gear, but as it stands now we have a cut throat stand off in my market between 3 companies. All of us have other "day-jobs" but love doing sound on the weekends and all 3 are reputable companies....just how it is.</p></blockquote><p></p>
[QUOTE="Brandon Blakeney, post: 68813, member: 178"] Re: Reasonably Priced Large Format Line Arrays You make a good point that I can't argue with.....Geri's company is not really my competition they deal in bigger shows and more of them. Most of the acts I deal with are 20K at most, really closer to 5-10K rising or falling country acts. The average rider I get wants 32-40 channels FOH and Monitor consoles, 5-8 monitor mixes, a mic package, and a FOH PA that does 120 dB at 100ft. It all comes down to economics, if I did double, triple, or quadruple the number of shows (even the same size or smaller shows) I could afford much bigger/better gear, but as it stands now we have a cut throat stand off in my market between 3 companies. All of us have other "day-jobs" but love doing sound on the weekends and all 3 are reputable companies....just how it is. [/QUOTE]
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