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The Basement
RHCP New Orleans
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<blockquote data-quote="Helge A. Bentsen" data-source="post: 149152" data-attributes="member: 263"><p>Re: RHCP New Orleans</p><p></p><p>Digital consoles negates the need for advanced mix planning. </p><p>You need a insert in the middle of a festival, press ON in the insert section of desired channel, no need to run around the back and patch it in.</p><p>With analog you had a limited number of inserts and had to think ahead. "Do I wan this comp on the snare, and this on the bass, which one sounds best on the lead vocal" and so on.....</p><p></p><p>And copy/paste/scenes!</p><p>Doing monitors on a analog setup is a PITA, manually copying eq's across mixes and no individual scenes between acts.</p><p></p><p>FWIW <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite1" alt=":)" title="Smile :)" loading="lazy" data-shortname=":)" /></p></blockquote><p></p>
[QUOTE="Helge A. Bentsen, post: 149152, member: 263"] Re: RHCP New Orleans Digital consoles negates the need for advanced mix planning. You need a insert in the middle of a festival, press ON in the insert section of desired channel, no need to run around the back and patch it in. With analog you had a limited number of inserts and had to think ahead. "Do I wan this comp on the snare, and this on the bass, which one sounds best on the lead vocal" and so on..... And copy/paste/scenes! Doing monitors on a analog setup is a PITA, manually copying eq's across mixes and no individual scenes between acts. FWIW :) [/QUOTE]
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