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The Basement
RHCP New Orleans
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<blockquote data-quote="Max Warasila" data-source="post: 149158" data-attributes="member: 3845"><p>Re: RHCP New Orleans</p><p></p><p></p><p></p><p>/* And quote Helge too, but I am lazy... */</p><p></p><p>You know, I've been finding that being able to throw a comp on every channel can really trip newer mixers up. I'm just starting to get good enough to know when to simply <strong><em>not</em></strong> with the compression, but the temptation to just add it to the routine of a channel strip is a bad habit that's all too easy on digital consoles with a million options. I only mention this because I was just watching a show the other day in which the mix was destroyed thanks to the miracles of compression on every channel - when there were more important things like simple mix balance to attend to. If they'd have just lost the comps and focused more on mic technique and other basics, the show would have sounded phenomenal.</p></blockquote><p></p>
[QUOTE="Max Warasila, post: 149158, member: 3845"] Re: RHCP New Orleans /* And quote Helge too, but I am lazy... */ You know, I've been finding that being able to throw a comp on every channel can really trip newer mixers up. I'm just starting to get good enough to know when to simply [B][I]not[/I][/B] with the compression, but the temptation to just add it to the routine of a channel strip is a bad habit that's all too easy on digital consoles with a million options. I only mention this because I was just watching a show the other day in which the mix was destroyed thanks to the miracles of compression on every channel - when there were more important things like simple mix balance to attend to. If they'd have just lost the comps and focused more on mic technique and other basics, the show would have sounded phenomenal. [/QUOTE]
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