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<blockquote data-quote="Riley Casey" data-source="post: 219066" data-attributes="member: 125">A great many sound systems are configured with a separate feed from the mixer to the subwoofers in much the same way that each monitor mix is sent separately. This allows the sound mixer to emphasis bass elements of the mix with a single fader when needed. It also allows the engineer to eliminate from the subwoofers any non-bass elements of the mix such as vocal mics thus reducing the muddiness that multiple mics picking up bass on stage would introduce. As noted your first scenario allows the sound engineer to send the left hand / bass portion of your keyboard to the subwoofers in the way described above. In your &quot;digital B3&quot; with &quot;digital Leslie &quot; set up the engineer doesn&#039;t have that option. It is what it is if you can&#039;t create a separate output. The phase relationship changes that the Leslie sound depend on don&#039;t really apply to bass sounds.</blockquote>

[QUOTE="Riley Casey, post: 219066, member: 125"] A great many sound systems are configured with a separate feed from the mixer to the subwoofers in much the same way that each monitor mix is sent separately. This allows the sound mixer to emphasis bass elements of the mix with a single fader when needed. It also allows the engineer to eliminate from the subwoofers any non-bass elements of the mix such as vocal mics thus reducing the muddiness that multiple mics picking up bass on stage would introduce. As noted your first scenario allows the sound engineer to send the left hand / bass portion of your keyboard to the subwoofers in the way described above. In your "digital B3" with "digital Leslie " set up the engineer doesn't have that option. It is what it is if you can't create a separate output. The phase relationship changes that the Leslie sound depend on don't really apply to bass sounds. [/QUOTE]

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