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SC48 vs M7CL
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<blockquote data-quote="Jason Raboin" data-source="post: 42563" data-attributes="member: 524"><p>Re: SC48 vs M7CL</p><p></p><p>While I own and much prefer an SC48, I do believe that M7's are more in demand for regional providers. It seems like more people carry Avid but those not carrying request Yamaha. Can anyone confirm that?</p><p></p><p>From a sonic standpoint, there really is no comparison. Before you use your first plug in, the SC48 already sounds much better than the M7. The channel dynamics are useful, compared to unusable on the M7. Then you get into plug ins. I rely heavily on the Massey CT4 compressor. For under $100, it is as good as anything you would find in most analog FOH racks.</p><p></p><p>The only problem I see with taking an SC48 when you want a Profile is plug in count. The Profile allows 100 and the SC48 currently only allows 20. But who doesn't carry a console and gets to demand the same one every show? They would have to have show files for other consoles, right?</p></blockquote><p></p>
[QUOTE="Jason Raboin, post: 42563, member: 524"] Re: SC48 vs M7CL While I own and much prefer an SC48, I do believe that M7's are more in demand for regional providers. It seems like more people carry Avid but those not carrying request Yamaha. Can anyone confirm that? From a sonic standpoint, there really is no comparison. Before you use your first plug in, the SC48 already sounds much better than the M7. The channel dynamics are useful, compared to unusable on the M7. Then you get into plug ins. I rely heavily on the Massey CT4 compressor. For under $100, it is as good as anything you would find in most analog FOH racks. The only problem I see with taking an SC48 when you want a Profile is plug in count. The Profile allows 100 and the SC48 currently only allows 20. But who doesn't carry a console and gets to demand the same one every show? They would have to have show files for other consoles, right? [/QUOTE]
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