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Sennheiser EW 300 G3 vs Shure PSM900
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<blockquote data-quote="Jason Glass" data-source="post: 97823" data-attributes="member: 2167"><p>Re: Sennheiser EW 300 G3 vs Shure PSM900</p><p></p><p></p><p></p><p>Hi Daniel,</p><p></p><p>I'd like to suggest a deep, narrow notch in the mix EQ at 19KHz to solve that problem, since 19K is an even harmonic of the 38KHz stereo pilot tone. The notch will be inaudible if sufficiently narrow. If the trouble persists, a low pass at 16K-19K should do the trick. If that dulls the mix too much, a boost at 10K-12K will usually serve to add artificial air without stomping the pilot.</p><p></p><p>It is extremely rare for even the most expensive custom earmolds to produce >16KHz, and even rarer the musician who could actually hear it on a loud stage.</p></blockquote><p></p>
[QUOTE="Jason Glass, post: 97823, member: 2167"] Re: Sennheiser EW 300 G3 vs Shure PSM900 Hi Daniel, I'd like to suggest a deep, narrow notch in the mix EQ at 19KHz to solve that problem, since 19K is an even harmonic of the 38KHz stereo pilot tone. The notch will be inaudible if sufficiently narrow. If the trouble persists, a low pass at 16K-19K should do the trick. If that dulls the mix too much, a boost at 10K-12K will usually serve to add artificial air without stomping the pilot. It is extremely rare for even the most expensive custom earmolds to produce >16KHz, and even rarer the musician who could actually hear it on a loud stage. [/QUOTE]
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