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<blockquote data-quote="Ivan Beaver" data-source="post: 58970" data-attributes="member: 30">Re: SH-50 array eq.Part of the &quot;magic&quot; of the Danley designs is that because the sound starts out as a true single source-it hods together much better at a distance-than sound that starts out as seperate sources.It is quite amazing to me to be at long distances 300-500M (not feet) away and it sound as if the vocals are 5-10M away.&nbsp; Truly &quot;in your face&quot;.Since the SH50 has a large horn-and the pattern is very consistant within the coverage pattern of the horn, when you get out of the pattern-the level drops VERY rapidly.&nbsp; It doesn&#039;t start to falloff in the highs-then the mids and then the lows as you walk the pattern.&nbsp; It is all there-and then it isn&#039;t (or greatly reduced anyway).So as you would get close-you would only be hearing one box-at least from around 300Hz or so and up.&nbsp; The bass would still be equally heard out of both boxes-but at that point-the subs are probably overpowering you anyway.</blockquote>

[QUOTE="Ivan Beaver, post: 58970, member: 30"] Re: SH-50 array eq. Part of the "magic" of the Danley designs is that because the sound starts out as a true single source-it hods together much better at a distance-than sound that starts out as seperate sources. It is quite amazing to me to be at long distances 300-500M (not feet) away and it sound as if the vocals are 5-10M away. Truly "in your face". Since the SH50 has a large horn-and the pattern is very consistant within the coverage pattern of the horn, when you get out of the pattern-the level drops VERY rapidly. It doesn't start to falloff in the highs-then the mids and then the lows as you walk the pattern. It is all there-and then it isn't (or greatly reduced anyway). So as you would get close-you would only be hearing one box-at least from around 300Hz or so and up. The bass would still be equally heard out of both boxes-but at that point-the subs are probably overpowering you anyway. [/QUOTE]

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