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Sign of the times. I just bought this for $1,300.
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<blockquote data-quote="Marsellus Fariss" data-source="post: 100279" data-attributes="member: 1107"><p>Re: Sign of the times. I just bought this for $1,300.</p><p></p><p>And I was close to pitching all our FOH gear out and getting a cheap medium format digital for this venue myself but we would have had to sacrifice a lot and given this kind of option is around we'll be analogue for a while longer. PM4K's don't crash, sound great and are simple and rider friendly.</p><p></p><p>It does in fact sound better then all the guest desks that have been through except the Profile (which will be back in in a month or so so I can A/B) and possibly my own Venice f that I may bring out to play just out of curiosity And because I want to play around with using it with waves Multirack for some upcoming road work. We've not had any Digico's or Midas Pro's through yet however. I suspect they'd best this beast. </p><p></p><p>The 4k does have a bit of a sound. It's super clean, fast and hifi. A bit sterile. But hey it's a live gig not Abby Road. When you move the needles and drive it hard you really start to hear it. Instantly reminded me of so many big shows I saw as a kid. Clean with a shiny top, a deep image and a certain character in the midrange. But it's sound isn't near as obvious as the Yammy digitals which have no balls and I can pick out a mile away. It sounds better then an M7 and people don't talk shit about those near as much. It sounds better then so many other desks people prefer over it I tend to think the PM hate was either leftover from the PM3k days or was just a lot of people blathering on about something they didn't really know about. If you only ever mixed on XL's Heritage or Gamble then I could see disliking it. Or if you had to case it and pack it every day. </p><p></p><p>If I where on the road for a living though.. I'd never deal with analogue again. I'd be an pro2 for me literally all day long twice on Sunday. Desk, laptop, Ipad.... done.</p></blockquote><p></p>
[QUOTE="Marsellus Fariss, post: 100279, member: 1107"] Re: Sign of the times. I just bought this for $1,300. And I was close to pitching all our FOH gear out and getting a cheap medium format digital for this venue myself but we would have had to sacrifice a lot and given this kind of option is around we'll be analogue for a while longer. PM4K's don't crash, sound great and are simple and rider friendly. It does in fact sound better then all the guest desks that have been through except the Profile (which will be back in in a month or so so I can A/B) and possibly my own Venice f that I may bring out to play just out of curiosity And because I want to play around with using it with waves Multirack for some upcoming road work. We've not had any Digico's or Midas Pro's through yet however. I suspect they'd best this beast. The 4k does have a bit of a sound. It's super clean, fast and hifi. A bit sterile. But hey it's a live gig not Abby Road. When you move the needles and drive it hard you really start to hear it. Instantly reminded me of so many big shows I saw as a kid. Clean with a shiny top, a deep image and a certain character in the midrange. But it's sound isn't near as obvious as the Yammy digitals which have no balls and I can pick out a mile away. It sounds better then an M7 and people don't talk shit about those near as much. It sounds better then so many other desks people prefer over it I tend to think the PM hate was either leftover from the PM3k days or was just a lot of people blathering on about something they didn't really know about. If you only ever mixed on XL's Heritage or Gamble then I could see disliking it. Or if you had to case it and pack it every day. If I where on the road for a living though.. I'd never deal with analogue again. I'd be an pro2 for me literally all day long twice on Sunday. Desk, laptop, Ipad.... done. [/QUOTE]
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