[FS] Small, but very powerful, touring rig for bands, churches, or install. $15K obo

[Brian Dill]

For Sale:
Small, but very powerful regional-tour FOH & In-Ear System
Built for quick set- ups, change-overs, and tear-downs, and all easily fits in a 5’x8’ trailer

FOH Rack
1 – Presonus 16.4.2Ai Digital Console
5 – Sennheiser EW100 835 G1 Wireless Microphone systems (A-Band)
6 – Shure PSM 200 Wireless In Ear Systems, with 2 spare Receiver Packs (8 packs total)
2 – PDWM3450 wireless XLR plug-in transmitter systems (4 channels total)
1 – Seismic Audio 16 channel, rack mount, split snake 15’ & 30’ fans
1 – DBX DriveRack PA-2
1 – Apple Airport Extreme wireless router
1 – Furman Power Center
2 – Furman Power Locking Outlet Strips (Pluglock)
2 – 2 space locking steel drawers
1 – 1 space locking steel drawer
1 – EWI 16-sp, 12-sp mixer combo rack, 4” casters, 22" rack depth

Speakers

2 – QSC KW153 3-way powered speakers FOH (with QSC padded covers)
2 – Yorkville LS2100PB powered 21” subwoofers (with 2 padded moving blankets)

Additional:

3 – Avlex Super lux PRA-628 Guitar Microphones (Similar to Sennheiser E609 silverface)
1 – Sennheiser E602 Kick drum microphone
1 – DBX RTA Microphone (for Driverack)
1 – Nady DMK7 Drum Mic set (5 tom/snare mics, 2 pencil condensors, 1 bass mic)
1 – Nady DKM5 Drum Mic set (4 tom/snare mics, 1 bass mic)
9 – Sennheiser style drum mic clips
3 – 3 Avlex gooseneck mic clamps
6 – K&M wireless mic clips
1 – 50’ 8 channel drum snake
1 – 64g IPad (1[SUP]st[/SUP] gen) with Presonus mixing software
1 – 32g IPhone 5s with Presonus mixing software
6 – Boom Mic Stands (Full size)
4 – Boom Mic Stands (Short)
2 – 24” HD speaker poles
4 – Cable/Stands tubs
1 – Pelican Case for Ipad, IPhone, & charger cables
3 – Quad Outlet stringers
1 – 100’ L14-30 to power feeder (Includes 50 amp ‘dryer plug’ to L14-30 adapter)
Misc. XLR cables and patch snakes included.


- The system is mostly all new gear, never played out, with the exception of the Sennheiser wireless vocal systems, the Shure IEM systems, and the Ipad. I bought the original Sennheiser wireless mic systems because the G1’s were the best sounding of all the series IMHO. I have set up the system fully twice, to test for capability and for wireless compatibilities, and everything operates flawlessly.
- The system is capable of running up to 11 channels of wireless Tx/Rx simultaneously, so some knowledge of how to set up & operate wireless systems is suggested. The potential for severe interferences is always there, especially in populated areas, but with a little knowledge handling channel selection, the system will operate flawlessly. Also, with the older wireless vocal systems, proper limiting and squelch settings should be in place for the occasional “oops, I accidently turned the mic off” situations.
- The speakers are absolutely amazing. My first full set up with the system was in a 500 capacity rectangle room, with a stage, and it was WAY more than that room needed for my heavy rock band. The subs produce low end like I have never heard before. The tops are crystal clear and articulate, and match flawlessly to the subs. Capable of extreme volumes. Please use with caution as there is a real danger of damaging people’s hearing with these.
- The system is designed to have the FOH rack located on stage near the performers, and controlled via the Ipad from FOH. This allows performers to adjust their own mixes manually, if they don’t have IPhones or IPads. The split snake is right there in the rack for venues with house sound. Another nice thing is that you can simultaneously feed the 6 IEM’s aux mixes, and house/additional stage monitors (not included), through the Shure PSM200’s parallel pass-through jacks. This maximizes the monitor system flexibility for IEM’s, External stage wedges, or both using your saved programs in the Presonus mixer.
- The wireless plug-ins allow up to 4 instrument mics (Guitar/Bass/Ect) to be set up wirelessly so they can be placed and moved easily, and to keep the stage clean. 1 drum snake is the only signal cabling required in this set up. Change overs would be very quick for most acts sharing drum kits. The drum mics are all Nady, which are rugged and sound very good. Our drummer already had Sennheiser, so I didn’t buy more with the exception of the kick drum mic. The Nady’s were intended to be back ups, but they work fantastic, and will provide years of use for even the heaviest drummer.
- The power configuration was designed to be used using two/three 20 amp 120v circuits via wall power, L14-30 plug, or a 50 amp dryer plug. You may need to reconfigure this based on your needs and local codes. The system will easily run on one 20 amp circuit per stack, and one 15 or 20 amp for both the FOH rack & stage stringers.

Sorry this is lengthy; I am just trying to be thorough. If you have questions, feel free to message me.

Accepting reasonable offers. Over $17k invested & near zero use. Asking Price is $15k, Cash or credit card only. (I take credit cards through PayPal) No checks. No returns.
No Shipping, but I can offer delivery up to 200 miles from Harrisburg, PA 17011 after payment received.

I am a serious and honest seller. You may check my EBay feedback under “Troupjr2”.