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<blockquote data-quote="Ivan Beaver" data-source="post: 74215" data-attributes="member: 30">Re: Stereo floor monitor for vocalists?The most wedges I have run for a single person was 5- on 3 different mixes plus stereo sidefills.They were arranged in a U with a single wedge downstage-with just his vocals.&nbsp; Then a pair of wedges a bit up stage with the backup vocals.&nbsp; Then a little bit more upstage was a band mix with the &quot;important&quot; instruments.&nbsp; The side fills were pretty much a full band mix.This way he could step in and out of &quot;various sounds&quot; as he wanted/needed.The stage volume was well behaved-a good FOH guy and a talented band that played good music.&nbsp; The end result was pleasing for everybody-including the audience.The whole &quot;trick&quot; to getting a good sound is BALANCE.&nbsp; And EVERYBODY has to be a part of the solution.&nbsp; As soon as one person gets &quot;out of control&quot;, the whole thing starts to fall apart.</blockquote>

[QUOTE="Ivan Beaver, post: 74215, member: 30"] Re: Stereo floor monitor for vocalists? The most wedges I have run for a single person was 5- on 3 different mixes plus stereo sidefills. They were arranged in a U with a single wedge downstage-with just his vocals. Then a pair of wedges a bit up stage with the backup vocals. Then a little bit more upstage was a band mix with the "important" instruments. The side fills were pretty much a full band mix. This way he could step in and out of "various sounds" as he wanted/needed. The stage volume was well behaved-a good FOH guy and a talented band that played good music. The end result was pleasing for everybody-including the audience. The whole "trick" to getting a good sound is BALANCE. And EVERYBODY has to be a part of the solution. As soon as one person gets "out of control", the whole thing starts to fall apart. [/QUOTE]

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