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Junior Varsity
Tell us what you see in your crystal ball....
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<blockquote data-quote="John Roberts" data-source="post: 48063" data-attributes="member: 126"><p>Re: Tell us what you see in your crystal ball....</p><p></p><p></p><p>Already has for effect I think... </p><p></p><p>but there still remains my favorite personal [rant] about lack of EQ bandwidth standards. If you want to model the channel EQ of a H3K without a standard for bandwidth, you literally have to come up with a custom translation to remap the H3K to the platform you want to recreate it on. We already see this tower of Babble in speaker crossover presets, same problem for specifying a specific consoles EQ. [/rant]</p><p></p><p>I've been watching this for a while and it seems there are competing forces that may not be what they first appear. </p><p></p><p>One strong motivation for portable platform independent effects plugins, is the increasing audience expectation that live performances will cover the sounds on the recordings. Ideally recording mixes and effects could be carried over to live (mostly or enough to pass). OTOH studio are desperately trying to differentiate themselves and have a reason to exist, after the artists find out they can just about run the plug-ins on their home mac computer. </p><p></p><p>Lots of voodoo about transformer and tube sound from studios as they scrape for reasons to exist. </p><p></p><p>or not..... </p><p></p><p>JR</p></blockquote><p></p>
[QUOTE="John Roberts, post: 48063, member: 126"] Re: Tell us what you see in your crystal ball.... Already has for effect I think... but there still remains my favorite personal [rant] about lack of EQ bandwidth standards. If you want to model the channel EQ of a H3K without a standard for bandwidth, you literally have to come up with a custom translation to remap the H3K to the platform you want to recreate it on. We already see this tower of Babble in speaker crossover presets, same problem for specifying a specific consoles EQ. [/rant] I've been watching this for a while and it seems there are competing forces that may not be what they first appear. One strong motivation for portable platform independent effects plugins, is the increasing audience expectation that live performances will cover the sounds on the recordings. Ideally recording mixes and effects could be carried over to live (mostly or enough to pass). OTOH studio are desperately trying to differentiate themselves and have a reason to exist, after the artists find out they can just about run the plug-ins on their home mac computer. Lots of voodoo about transformer and tube sound from studios as they scrape for reasons to exist. or not..... JR [/QUOTE]
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Tell us what you see in your crystal ball....
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