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Junior Varsity
Tell us what you see in your crystal ball....
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<blockquote data-quote="John Roberts" data-source="post: 48139" data-attributes="member: 126"><p>Re: Tell us what you see in your crystal ball....</p><p></p><p></p><p></p><p>Correlation between fundamentals and harmonics has been well explored in single ended noise reductions since the '70s (I don't recall the model but Phase Linear sold a consumer unit? There were also multiple professional variants over the years). </p><p></p><p>What I am talking about requires simple FFT analysis and learning spectral signatures for results. One possible difficulty is parsing out EQ for voicing the source, and EQ to correct for playback/room issues. The system to be fully automatic would need to separate the two, while this is possible too, with a few spaced room mics to correct the room to the targets also. </p><p></p><p>In my ideal world, you could mix a song once and hit save... Then every time you play that program, in any room, with any mics, etc, it will sound prtetty much the same (for better or worse). At some point mixing a song over and over seems like a waste of time, unless you didn't get it right the first time, and then you could capture edits and improvements. </p><p></p><p>or not... This is a large leap for most, who want to believe they can't be replaced by technology. Perhaps the better way to think about this is as technology helping us do our job, by eliminating rote tasks. </p><p></p><p>JR</p></blockquote><p></p>
[QUOTE="John Roberts, post: 48139, member: 126"] Re: Tell us what you see in your crystal ball.... Correlation between fundamentals and harmonics has been well explored in single ended noise reductions since the '70s (I don't recall the model but Phase Linear sold a consumer unit? There were also multiple professional variants over the years). What I am talking about requires simple FFT analysis and learning spectral signatures for results. One possible difficulty is parsing out EQ for voicing the source, and EQ to correct for playback/room issues. The system to be fully automatic would need to separate the two, while this is possible too, with a few spaced room mics to correct the room to the targets also. In my ideal world, you could mix a song once and hit save... Then every time you play that program, in any room, with any mics, etc, it will sound prtetty much the same (for better or worse). At some point mixing a song over and over seems like a waste of time, unless you didn't get it right the first time, and then you could capture edits and improvements. or not... This is a large leap for most, who want to believe they can't be replaced by technology. Perhaps the better way to think about this is as technology helping us do our job, by eliminating rote tasks. JR [/QUOTE]
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Tell us what you see in your crystal ball....
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