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Message: <blockquote data-quote="Caleb Dueck" data-source="post: 83299" data-attributes="member: 60">How about this - a band buying mics makes sense to get 58's as starter mics, to set the minimum threshold.  Then after they get better and have the ability to demo more mics with a great tech, they can discard the "training wheels" and get better mics.  How do you polish a 58 to make it sound great?  All the EQ hacking doesn't fix the time domain issues I hear with them.  The music store mindset - sell training wheels, then more expensive training wheels, then ...   My mindset - hang out with the band, hear them play, demo mics on a great system, then sell them the 1 Mic that fits best.  Works great in theory!</blockquote>

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