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<blockquote data-quote="Scott Bolt" data-source="post: 83385" data-attributes="member: 3950">Re: The SM58...Fair enough.&nbsp; I never imagined I would change anyone&#039;s mind about how to operate, and in fact believe that for many who provide live sound for a living, the SM58 is essential.My current PA consists of the following:A&amp;H MixWiz 16 channel analog mixerFurman power conditionerFurman wired IEM system with 4 remote IEM mixers mounted to mic standsART HQ15 stereo eqPresonus ACP88 8 channel compressor/gateTC Electronics M-OneXL reverb/delay4 EV ND767a microphones for vocals2 Sennheiser e609 microphones for guitars2 Yamaha DSR112 powered tops2 JBL PRX618S-XLF powered subsThe mix wiz 6 auxes are used as follows:1-4 direct into Furman IEM.&nbsp; &nbsp;&nbsp; AUX 1 mix is the lead guitar player and his vocal&nbsp;&nbsp; AUX2 mix is my rhythm guitar and my vocal (lead)&nbsp;&nbsp; AUX3 mix is the bass and his vocal&nbsp;&nbsp; AUX4 mix is the drummer (no vocal)&nbsp;&nbsp; AUX5 is used for the on-board efx&nbsp;&nbsp; AUX6 is the send to the M-OneXL which returns to ST2I am in the process of convincing myself to purchase one of the new X32 products (the producer looks pretty interesting).@ Eric,I agree.&nbsp; I have had to coach guest singers to get up on the mic because of this.&nbsp; I believe that this is simply good live mic usage, but as you know, not everyone knows how to handle a live mic well.There are probably better microphones for singers who have poor mic skills than the 767a.As for the audience, I think they either think &quot;Hey the band sounds great&quot;.&nbsp; They have no idea why it sounds good or bad.</blockquote>

[QUOTE="Scott Bolt, post: 83385, member: 3950"] Re: The SM58... Fair enough. I never imagined I would change anyone's mind about how to operate, and in fact believe that for many who provide live sound for a living, the SM58 is essential. My current PA consists of the following: A&H MixWiz 16 channel analog mixer Furman power conditioner Furman wired IEM system with 4 remote IEM mixers mounted to mic stands ART HQ15 stereo eq Presonus ACP88 8 channel compressor/gate TC Electronics M-OneXL reverb/delay 4 EV ND767a microphones for vocals 2 Sennheiser e609 microphones for guitars 2 Yamaha DSR112 powered tops 2 JBL PRX618S-XLF powered subs The mix wiz 6 auxes are used as follows: 1-4 direct into Furman IEM. AUX 1 mix is the lead guitar player and his vocal AUX2 mix is my rhythm guitar and my vocal (lead) AUX3 mix is the bass and his vocal AUX4 mix is the drummer (no vocal) AUX5 is used for the on-board efx AUX6 is the send to the M-OneXL which returns to ST2 I am in the process of convincing myself to purchase one of the new X32 products (the producer looks pretty interesting). @ Eric, [COLOR=#333333] I agree. I have had to coach guest singers to get up on the mic because of this. I believe that this is simply good live mic usage, but as you know, not everyone knows how to handle a live mic well. There are probably better microphones for singers who have poor mic skills than the 767a. As for the audience, I think they either think "Hey the band sounds great". They have no idea why it sounds good or bad.[/COLOR] [/QUOTE]

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