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The top ten
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<blockquote data-quote="Chris Johnson" data-source="post: 55661" data-attributes="member: 975"><p>Re: The top ten</p><p></p><p>Knowing D&B and L'acoustics well, I would take V over Kara any day. Kara is a good sounding box, but its 120 degree dispersion actually hinders its performance in a lot of real world situations. It has enough output to be a medium-throw solution, but the pattern control doesn't allow for it. In a typical theatre or music venue, you end up throwing stupid amounts of energy at the walls.</p><p></p><p>V is a whole lot better than Q. The rigging is infinitely better, it sounds exactly like J 200Hz and up, and since its a passive design, its very amp efficient. Having an 80 degree and a 120 degree box makes it much more useful in a variety of situations.</p><p></p><p>D&B subs are also a whole lot better than L'acoustics. In fact, i think all L'acoustics systems are let down a bit by the sub components...</p></blockquote><p></p>
[QUOTE="Chris Johnson, post: 55661, member: 975"] Re: The top ten Knowing D&B and L'acoustics well, I would take V over Kara any day. Kara is a good sounding box, but its 120 degree dispersion actually hinders its performance in a lot of real world situations. It has enough output to be a medium-throw solution, but the pattern control doesn't allow for it. In a typical theatre or music venue, you end up throwing stupid amounts of energy at the walls. V is a whole lot better than Q. The rigging is infinitely better, it sounds exactly like J 200Hz and up, and since its a passive design, its very amp efficient. Having an 80 degree and a 120 degree box makes it much more useful in a variety of situations. D&B subs are also a whole lot better than L'acoustics. In fact, i think all L'acoustics systems are let down a bit by the sub components... [/QUOTE]
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