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<blockquote data-quote="John Horvath" data-source="post: 105414" data-attributes="member: 22">Re: Uli Behringer of The Music Group Q&amp;APersonally, I&#039;m hoping for an X48, or basically a larger brother to the X32.&nbsp; Uses at least 3x S16 boxes, larger screen, two layers of 24 inputs (ala 5D), more EQ &amp; aux knobs, 16 aux/8 matrix (ala Pro1/2).&nbsp; The list can go on, BUT only to a point of a MAP price of around $6K or $7K.&nbsp; Currently, there is nothing worthy between the X32 and Pro1.&nbsp; I&#039;m finding A LOT of churches willing to spend more than $3K on the X32 because they need more inputs &amp; features, but the Pro1 is either too limited with faders &amp; knobs, too expensive, or both.A large majority of my shows require more than the X32, but not more than my Pro2C.&nbsp; Do I need to meet riders with the Midas name?&nbsp; Nope, not at all.&nbsp; That said, an X48 or similar would be perfect, so much so that I would sell my Pro2C and buy two X48&#039;s as fast as I possibly could.</blockquote>

[QUOTE="John Horvath, post: 105414, member: 22"] Re: Uli Behringer of The Music Group Q&A Personally, I'm hoping for an X48, or basically a larger brother to the X32. Uses at least 3x S16 boxes, larger screen, two layers of 24 inputs (ala 5D), more EQ & aux knobs, 16 aux/8 matrix (ala Pro1/2). The list can go on, BUT only to a point of a MAP price of around $6K or $7K. Currently, there is nothing worthy between the X32 and Pro1. I'm finding A LOT of churches willing to spend more than $3K on the X32 because they need more inputs & features, but the Pro1 is either too limited with faders & knobs, too expensive, or both. A large majority of my shows require more than the X32, but not more than my Pro2C. Do I need to meet riders with the Midas name? Nope, not at all. That said, an X48 or similar would be perfect, so much so that I would sell my Pro2C and buy two X48's as fast as I possibly could. [/QUOTE]

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