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Junior Varsity
Uli Behringer of The Music Group Q&A
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<blockquote data-quote="Eric Cagle" data-source="post: 59853" data-attributes="member: 277"><p>Re: Uli Behringer of The Music Group Q&A</p><p></p><p>Wow, I never meant to get the SAC thing stirred up like this. I forgot we are in Varsity. I have been reading the X32 thread in JV for so long I forgot where I was. SAC is a JV product period. It is super functional and I was merely stating some unique applications I have ran into. The X32 is a JV product so it seems the comment was appropriate. I would never even attempt to use SAC for any national although the first time I saw it was with Colt Ford. Of course guys, a pro video shoot would have a pro audio engineer. I carry 64 tracks of Pro Tools plus a redundant back up with SMPTE capability in all frame rates for things like that. Think JV and festivals with local and regional bands and somebody's buddy (who just happened to be a respected studio engineer) with a camcorder who wants a board feed. It is also real easy to get a nice sound from a post fade tapped mixer when all you have to do is move a few faders up or down to balance what is coming from the board. The EQ work and rough mix has already been done by the FOH engineer. Again JV, Local Bands, etc. Shouldn't have posted this in Varsity. My Bad.</p></blockquote><p></p>
[QUOTE="Eric Cagle, post: 59853, member: 277"] Re: Uli Behringer of The Music Group Q&A Wow, I never meant to get the SAC thing stirred up like this. I forgot we are in Varsity. I have been reading the X32 thread in JV for so long I forgot where I was. SAC is a JV product period. It is super functional and I was merely stating some unique applications I have ran into. The X32 is a JV product so it seems the comment was appropriate. I would never even attempt to use SAC for any national although the first time I saw it was with Colt Ford. Of course guys, a pro video shoot would have a pro audio engineer. I carry 64 tracks of Pro Tools plus a redundant back up with SMPTE capability in all frame rates for things like that. Think JV and festivals with local and regional bands and somebody's buddy (who just happened to be a respected studio engineer) with a camcorder who wants a board feed. It is also real easy to get a nice sound from a post fade tapped mixer when all you have to do is move a few faders up or down to balance what is coming from the board. The EQ work and rough mix has already been done by the FOH engineer. Again JV, Local Bands, etc. Shouldn't have posted this in Varsity. My Bad. [/QUOTE]
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