Log in
Register
Home
Forums
New posts
Search forums
What's new
Featured content
New posts
New profile posts
Latest activity
News
Members
Current visitors
New profile posts
Search profile posts
Features
Log in
Register
What's new
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Pro Audio
Junior Varsity
using "wye or Y" cables and associated questions
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="TJ Cornish" data-source="post: 25011" data-attributes="member: 162"><p>Re: using "wye or Y" cables and associated questions</p><p></p><p>Up to this point we've been talking about wyeing multiple mics to the same input, and all of the above challenges are real - phantom power reduction through the resistor network as well as multiple mics, etc. In the scenario you mentioned in your last post (if I understood what you meant correctly), it may work the other way for you:</p><p></p><p>You can split the overhead mics into two mixers - the submixer for the drummer, and also the main system. This is commonly done - one set of stage inputs runs to both a monitor console and a FOH console. The methods vary from simple wye adapters to fancy isolated splitter snakes, but if the overheads are the main hitch here, you may be able to run with the reverse gender wye and skip the resistor network altogether.</p><p></p><p>I still think it's a little incongruous that a church with a cheap keyboard that only has a headphone out and no good drum mics would be contemplating an ILive?! It seems that a few other upgrades on the list might be a higher priority than a $15,000+ mixer.</p></blockquote><p></p>
[QUOTE="TJ Cornish, post: 25011, member: 162"] Re: using "wye or Y" cables and associated questions Up to this point we've been talking about wyeing multiple mics to the same input, and all of the above challenges are real - phantom power reduction through the resistor network as well as multiple mics, etc. In the scenario you mentioned in your last post (if I understood what you meant correctly), it may work the other way for you: You can split the overhead mics into two mixers - the submixer for the drummer, and also the main system. This is commonly done - one set of stage inputs runs to both a monitor console and a FOH console. The methods vary from simple wye adapters to fancy isolated splitter snakes, but if the overheads are the main hitch here, you may be able to run with the reverse gender wye and skip the resistor network altogether. I still think it's a little incongruous that a church with a cheap keyboard that only has a headphone out and no good drum mics would be contemplating an ILive?! It seems that a few other upgrades on the list might be a higher priority than a $15,000+ mixer. [/QUOTE]
Insert quotes…
Verification
Post reply
Home
Forums
Pro Audio
Junior Varsity
using "wye or Y" cables and associated questions
Top
Bottom
Sign-up
or
log in
to join the discussion today!